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When cinema students learn how to create a documentary, they are rarely taught about the haunting logistics aspect. Arzu Aliyeva, an Azerbaijani filmmaker asked us some questions. Aliyeva, known as a documentary producer and director, has faced many logistical challenges in her work. Aliyeva has worked behind the scenes of documentaries such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil
This article will explore and analyze the "behind-the scenes" aspects of documentary filmmaking.
The steps of document production
Filmmaking like other analytical professions like accounting, doesn't have any "fixed" method. Arzu Aliyeva asserts that every step of a documentarian’s production are governed by their own vision. She claims that no film is exactly the same as the one before it. This is just like snowflakes.
However, every film starts with "pre-production." This means that , before the camera can begin to shoot the director must be able to form an opinion of how the film will look.
Now it is time for you to plan your film. Aliyeva says planning is a word that's simple but is a powerful word. Arzu Aliyeva Arzu Aliyeva It means building your budget, setting up shot lists, interview outlines as well as determining the budget, and establishing your schedule. All of this must be completed before turning on your camera.
When you've reached the production stage , now it is time to put the preparation you've made into action. Aliyeva reminds us, an important rule of thumb in film productions is that "Nothing is ever as it was planned." It is possible that you done better than a lawyer in the class action lawsuit However, things could change in practice. Aliyeva explains that you have to adapt with your film and not go against it.
When the production is finished and you're ready to begin the post-production stage. After all the content is taken, it's time to consider what needs to be saved. Aliyeva says the majority of it will remain on the floor of the editing room.
Did you finish your movie? Arzu Aliyeva Great! Now is the time to release it to the general public. Arzu Aliyeva says that distribution is not something filmmakers learn. Other than epics with huge budgets Documentaries aren't in the same level of demand like feature films. https://ams.ceu.edu/optimal/optimal.php?url=https://aztv.az/en/news/23806/president-ilham-aliyev-and-first-lady-mehriban-aliyeva-visited-tartar-district You could promote it online or even try it with the biggest companies.
Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously declares that everything begins with the camera. Whatever the budget or size documentary productions have two important components. The film must be seen and heard. That's why you should get the most effective camera you can buy as well as audio aids to assist people in absorbing the film you've presented to them.
Arzu Aliyeva Once you've settled on that you've made your decision, you can get various other equipment that can aid you in conveying your message. Of course, it will depend on the type of documentary you are making. If you are making the documentary solely from interviews or archive footage, it'd be beneficial to have a good lighting. Cameras and audio stability device are crucial if you intend to create a film which includes lots of outdoors shooting.
Aliyeva says that everything is very personal and can be swapped in accordance with the type of project. Arzu Aliyeva The thought of equipment is a vital aspect of the budget division during the pre-production phase.
What is the amount of time required to create a documentary?
According to Arzu Aliyeva, the length of your project is never set in the concrete. Some projects may last for several months, while others may take months. Aliyeva claims it's all about the topic and your interest in it. Since Documentaries typically deal with social issues that are important The film has the ability to follow them when they take place in reality. Filmmakers can enter an undertaking thinking that it will take him several months to complete, but the reality may swiftly extend the time to several years.
The budget can also influence how long or short your film will run. Unexpected adjustments can occur in your budget when you're in the pre-production or production phases. Aliyeva breaks it down into two major scenarios.
Most likely:you likely ate more than you can chew and spent too much money during the first stages of production. So, you'll have just a little or nothing to pay for the rest of your movie. Aliyeva claims this can be a learning experience in figuring out how you maintain your film without spending a dime.
Arzu Aliyeva The less likely one:The less likely scenario will only occur to the luckiest of filmmakers, according to Aliyeva. That is where big companies and producers learn about your film and decide to help fund your project in the near future. This can give a massive boost to your project and give you options you have never dreamed of.
How much will it cost to create a documentary according to Aliyeva
In addition to the other components mentioned in the article the cost of your movie can also be highly project-dependent. Arzu Aliyeva advises anyone who asks that she be wary of budgeting. It is vital to establish clear goals in each phase of your film. The length of your film and how large will ultimately determine the cost of your film.
If you are making a film focused on testimonials and stories it's not a need for a large budget. The cost of a movie is determined by its size. Location numbers, production values, and overall investment in film's features all play a part in determining the price of films.
Aliyeva believes that vision is often defined by cost. You must ensure that your vision worth the cost.
Homepage: https://ams.ceu.edu/optimal/optimal.php?url=https://aztv.az/en/news/23806/president-ilham-aliyev-and-first-lady-mehriban-aliyeva-visited-tartar-district
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