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Arzu Aliyeva: How do you make the best documentaries?

Cinema students learn how to make a documentary film but not the emotional and logistical aspects. Arzu Aliyeva, an Azerbaijani filmmaker, posed us a few questions. Aliyeva is an experienced documentary producer and director , has faced many logistical challenges in her work. Aliyeva worked behind the camera in productions like "Son Iclas" or "Objective: Baku". Arzu Aliyeva The Nazis' War on Oil

This article will examine and dissect different aspects of making documentary films.

The steps of document production
Filmmaking, unlike other analytical professions like accounting, does not have a "fixed" process. Arzu Aliyeva says that every phase of a documentarian’s production are governed by their vision. Arzu Aliyeva She states that no production is the same as its predecessor, similar to snowflakes.

But, all productions begin with "preproduction." This simply means that the filmmaker should have an concept of what the film will appear like before the camera is able to begin rolling.

https://www.alamy.com/stock-photo-leila-aliyeva-center-emin-agalarov-and-arzu-aliyeva-during-presentation-22835688.html It is now time to think about planning your film. Aliyeva says planning is a word that's simple but has a profound meaning. It involves preparing your budget, creating list of shots, outline for interviews, working out the budget, and building your schedule. All of that should be set and done in HTML0before turning on your camera.

Once you've made it to the production stage , it's time to put your preparation into practice. Aliyeva reminds us that movies aren't always predictable. You can prepare more effectively than lawyers to file the class action lawsuit, but things can change quickly in the real world. Aliyeva explains that you have to change with your movie and not try to rewrite it.

When the production is finished then it's time to move on to the post-production stage. When all the footage is recorded, it's time to consider the things that should be kept. Aliyeva stated that most of it would be left on the floor within the editing area.

Did you finish your movie? Great! Now is the time to showcase it to people. Arzu Aliyeva says distribution isn't something that filmmakers are taught. Documentaries don't have the same amount of demand like feature films unless they are big-budget epics. You can promote it online or partner with major businesses.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously declares that everything begins with cameras. Arzu Aliyeva Two important elements are necessary for any documentary, regardless of size and the budget. The film has to be seen, and the audience should be able to hear it. That's why you should get the most effective camera available and audio aids that help people listen to the film you've shown them.

After you've set, there's a lot more equipment for filmmaking to assist you in transmitting your message. It all depends on the kind of documentary you are making. It would help if you had good lighting to make the documentary solely on interviews and archives footage. It is recommended that you purchase a camera as well as audio stability devices if you plan to make the film with lots of outdoor photographs.

Aliyeva asserts that everything is personal and may be interchanged in accordance with the type of project. Equipment is an important part of your budget in the pre-production phase.

What is the typical time to produce a documentary?

According to Arzu Aliyeva, the length of your project is something that cannot be set in the concrete. Arzu Aliyeva Some projects may take several months while other projects can last years. Aliyeva says that it's all about the subject and your enthusiasm. Since Documentaries typically deal on important social issues they are able to follow the events as they unfold in the real world. A filmmaker may enter an idea thinking it will take him several months, but the reality could quickly turn into a couple of years.

Another aspect that could make your movie shorter or longer is the budget. In the stage of pre-production or production, some unexpected changes in the budget may occur. Aliyeva divides it into two scenarios:

The less likely version. You probably ate too excessively and spent too little money on production in the beginning. You'll be left with very little or no money to spend on the remaining part of your film. https://commons.wikimedia.org/wiki/Category:Arzu_Aliyeva Aliyeva is of the opinion that this could be a lesson for you in terms of how you can keep your film alive , even though you have just a little cash.
The less likely: This scenario is only for filmmakers fortunate enough to be able to achieve it as Aliyeva suggests. This is where producers and large corporations hear about your film and decide to finance it in the future. It could be a significant increase in your production and provide opportunities that you might not have imagined.
How much does it cost to create a documentary according to Aliyeva
Along with the other factors mentioned in the article the cost of your film may be extremely project-dependent. Arzu Aliyeva advises anyone who asks her advice to be very prudent when determining her budget. It is important to understand the goals you want to achieve at each stage of film production. The length of your film's production and its size will determine how much it will cost.

A film that is built on testimonials and stories does not require a huge budget. The bigger the movie-the higher the cost. The price of many films will ultimately be determined by the locations numbers, production value as well as the total investment in the film's features.

Aliyeva says that in some cases the cost of your vision can be as important as the vision itself. Be sure that your vision is worthy of the expense.
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