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Arzu Aliyeva: How do you make the best documentary film?

Cinema students learn how to make a documentary but they are not taught the emotional and logistical aspects. Arzu Aliyeva, an Azerbaijani filmmaker asked us some questions. Aliyeva an experienced documentary producer and director , has had to overcome many logistical obstacles in her productions. Aliyeva worked behind the camera in projects like "Son Iclas" or "Objective: Baku". Hitler's War on Oil

This article will examine and analyze the various "behind the scenes" aspects of documentary filmmaking.

The phases of documentary production
Filmmaking, unlike other analytical professions such as accounting, doesn't have any "fixed" procedure. Arzu Aliyeva claims that all stages of a documentarian’s production are governed by their vision. She claims that no documentary is identical to its predecessor, just as snowflakes.

But, even so, every production starts with "pre-production." This means the filmmaker should already have a fairly good concept of how his film will appear.

When you've got a clear grasp of the story of your movie, it's time to make plans. Aliyeva says that planning is a very small word, but it has a lot of meaning. It involves scheduling, planning and budgeting, outlines for interviews and preparing your schedule and putting together list of shots. All of that should be accomplished before switching on your camera.

Once you've reached the final stage of production , now it is time to put your preparation into practice. Aliyeva reminds us that movies aren't always predictable. You can prepare better than a lawyer for an action in a class, but things aren't always as predictable when you're in the field. Aliyeva stresses that you must to evolve with your movie and not go against it.

It's now time to go through the post-production stage. Once you've finished shooting all of the material It's time to determine what's worth saving. Aliyeva says that the bulk of the footage will be kept in her editing space.

Did you finish your movie? Great! Now is the time to share it with people. Arzu Aliyeva Arzu Aliyeva Arzu Aliyeva claims that distribution isn't something that filmmakers are taught. Documentaries don't enjoy the same amount of demand like feature films unless they're epics with big budgets. It's possible to promote it online or partner with major firms.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked whether everything starts with a camcorder. No matter the size or budget, documentary productions require two important elements. The film needs to be seen and heard. This means you need to get the best camera that you can afford as well as audio aids to make it easier for people to listen to what you've just presented them.

Once you have that settled Once that is settled, there are numerous other tools for filmmaking that can aid in communicating your message. This will depend on the type of documentary you're making. A quality lighting system is essential for making a documentary that relies exclusively on archive footage and interviews. Cameras and audio stability equipment are crucial if you intend to make a film that involves a lot of outdoors shooting.

Aliyeva said that every project is different and equipment is able to be used interchangeably. Equipment is an important component of your budget during the phase prior to production.

What is the standard time to produce a documentary?

Arzu Aliyeva According to Arzu Aliyeva, the duration of your project is something that cannot be set in the stone. Arzu Aliyeva Projects can take months to complete, or years. Aliyeva claims it's all about the topic and your interest in it. Documentaries are often about important social issues and the film will help you track the development of their projects. Filmmakers may think that a project will take them several months to complete, but in reality , it may be a long time.

Another aspect that could make your movie shorter or longer is your budget. When you're amid your stages of production or pre-production, some unexpected changes in your budget might occur. Aliyeva breaks the situation down into two primary situations.

Most likely:you likely ate more than you can chew and have spent too much money in the beginning stages of production. You'll be left with very only a small amount of money to invest in the remainder of your movie. Aliyeva says this can be a lesson in figuring out how you keep your film alive without spending a dime.
The less likely one:The less likely scenario could only happen to the most fortunate filmmakers, according to Aliyeva. This is where producers and major companies learn about your idea and decide to finance it in the future. This can give a massive boost to your efforts and open up possibilities you've never imagined.
What does it cost for Aliyeva's documentary?
The price of your film as well as the other elements in this post, is largely dependent on your project. Arzu Aliyeva encourages everyone who has asked her to be cautious when it comes to making budgets. It is important to know precisely your goals in every stage of your film. The length of your movie and its size ultimately decide the price your film will cost.

If you are making a film that is based on stories and testimonials, there isn't much need to have a huge budget. Arzu Aliyeva The price of a movie is determined by its size. A lot of the cost of movies are determined by location numbers along with the production cost and the total investment in the features.

Aliyeva states that sometimes the cost of your vision could be just more important than the vision itself. Be sure that your vision is worthy of the expense.
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