Notes

Jpegmafia Cloth Review
jpegmafia Cloth is the third full-length album by JPEGMAFIA the genre-bending iconoclast who's fast becoming one of the most versatile voices. In equal measure his unique approach to music has allowed him to evoke anything from the Drake anthems and Anne Hathaway or Ann Coulter. He aims to strip down his music further in All My Heroes Are Cornballs while still maintaining his trademark wit, and acrobatic sound.



JPEGMAFIA after releasing his first two albums in the year 2015, Darkskin Manson, and 2016, Black Ben Carson, moved to Los Angeles, where he continued crafting songs that seamlessly mixed a range of emotions music, topics, and a style that was unique to American generation Y. Veteran was his most successful album, which he believed to be his finest work to date and the greatest display of musicianship skills.


With Scaring the Hoes JPEG and Brown continue to defy expectations of the typical rapper-producer relationship. They don't interplay with one another like Run the Jewels or the Killers but instead the arrangements of their duo often feel like natural elements. In "Orange Juice Jones" JPEG's rapid tempos provide Brown the chance to work on his unique pimp style with the squawking sample turns (the default iMessage notification tone, the theme song for the anime The Vision of Escaflowne, Kelis' "Milkshake") taking inspiration from the jangly horn fanfare of a traffic violation.


The remainder of the album follows the same pattern that has JPEG's pulsing bass and distortion of the SP-404 sample acting as the backdrop for Brown's candid, often profane observations about the state of rap music. Brown smears everything from the "fucking fake news" of Kanye West to the oppressive patriarchal ethos of the city he grew up in, Baltimore with equal intensity with a smattering of melancholy jazz piano echoes in the title track and the dancehall-like beats that roar in a Keenan and. Jpegmafia Merch .

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