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Arzu Aliyeva: How do you create the most effective documentary film

When students of cinema learn to make a documentary film but aren't taught about the dreadful logistical aspects. Arzu Aliyeva who is an Azerbaijani filmmaker asked us some questions. Aliyeva, known as a documentary director and producer, has faced many logistical obstacles in her projects. Aliyeva worked behind the director's chair in productions like Son Iclas" and "Objective: Baku. Hitler's War on Oil".

This article will discuss and break down the various "behind the scenes" aspects of documentary filmmaking.

The phases of documentary production
As opposed to accounting, or other similar fields, filmmaking isn't the same "fixed process." Arzu Aliyeva says that the phases of a documentary's production take place according to the vision they have as director. She explained that each film differs from its predecessor.

Even still, every production starts by completing "pre-production." https://www.demilked.com/author/arzu.aliyevaorsa338/ This simply means that before a camera begins to roll the director must have a pretty good idea of how his film should appear.

Once you have a clear knowledge of the background to your film, it's now time to make plans. Aliyeva says planning is a term that is simple, but has a significant meaning. Arzu Aliyeva This means establishing your budget, preparing shoot lists, interview outline, working out the budget and creating your schedule. All of this needs to be completed prior to turning to the camera.

When you've reached the production stage , now it is time to put all your preparation into practice. Aliyeva reminds us of an important rule of thumb in film productions is that "Nothing is ever as it was scheduled." You may have prepared more effectively than a lawyer before a class action case but things can swiftly shift in the context of the case. Aliyeva stresses the importance following the direction of your movie and not fighting it.

It is now time for the Post-production stage. Arzu Aliyeva Once all the material is recorded, it's the time to think about the things that should be kept. Arzu Aliyeva Aliyeva said that the majority of it will be left on the floor in the editing room.

Did you finish your movie? Great! Now is the time to show it to people. According to Arzu Aliyeva, distribution is rarely taught to filmmakers. If you're not big-budget epics documentary films don't have the same level of demand as feature movies. They could be promoted on the internet or you can test your luck with the large companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva smiles when asked if all things begin with a camcorder. Two essential elements are needed for every documentary, regardless of size and the budget. The film has to be seen, and the audience should be able to hear it. You should have the highest quality camera as well as audio aids that enable viewers to listen to what you presented to them.

After you have that set, there's a lot more equipment to help you with your task of transmitting your message. It's all dependent on the type of documentary you're making. If you're making an interview-based documentary or archive footage, it will be beneficial to have a good lighting. Arzu Aliyeva A camera as well as audio stability devices are essential if you want to make a movie that has a lot of outdoor shooting.

Aliyeva states that everything is personal and may be exchanged dependent on the kind of project. The thought of equipment is a crucial element of budgeting during the pre-production phase.

What is the typical time to produce a documentary?

Arzu Aliyeva claims that the length of an undertaking isn't a fixed amount. The duration of projects can vary from months to complete, or years. Aliyeva says that it all depends on the topic and your passion. Because Documentaries often deal with important social issues they are able to follow their progress as they develop in real time. Filmmakers may think that a project can take several months to complete, but in reality , it could take several years.

Budget is another aspect which can impact the length or the shortening of your film. Unexpected changes can happen in your budget when you're in the pre-production or production stages. Aliyeva breaks it down into two major situations.

The less likely choice. You probably ate too much and spent too little money on production at the beginning stages. There will be little or no cash left to cover the remainder. Aliyeva thinks this could be a great learning opportunity to you on how you can keep your film running even when you have only a small amount of money.
The less likely: This scenario is only for filmmakers fortunate enough to to create it Aliyeva says. These are the locations where big companies and producers learn about your project and decide whether to fund it in the future. This could boost your efforts and open up doors you never imagined.
How much will it cost you for Aliyeva's documentary?
Similar to the other factors discussed in this article, the price of your film is highly project-dependent. Arzu Aliyeva advises anyone who wants her to be very prudent when determining her budget. It is essential to establish clear movie's objectives for each stage. How long your movie is and the size will ultimately determine the expense of the film.

It is not necessary to have a large budget when you're making a film that is based on stories and testimonials. The bigger the movie-the higher the cost. The price of many movies is ultimately determined by locations numbers, production value, and the overall budget for the film's featurettes.

Aliyeva says that often the cost can define your vision. You must ensure that your vision exceeds your expenses.
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