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Arzu Aliyeva: How can you create the top documentary films?

The haunting logistical aspect of making a documentary film is seldom covered by cinema students. We asked Azerbaijani filmmaker, Arzu Aliyeva some questions to find out more about. Arzu Aliyeva Aliyeva is a seasoned documentary director and producer has faced many logistical challenges in her productions. Aliyeva has been behind scenes of documentaries like "Son Iclas" (and "Objective Baku). The Nazis' War on Oil".

This article will investigate the various aspects of making documentary films.

The phases of documentary film production
Contrary to accounting or other analytical professions, filmmaking does not have the same "fixed procedure." Arzu Aliyeva claims that all the steps of a documentary's making are based on their vision as a director. She claims that no film is the same as its predecessor. This is just like snowflakes.

Every production starts with "pre-production." This simply signifies that before a camera can begin to shoot the filmmaker must have a pretty good idea of how the film will appear.

After you've decided the subject matter of your film then it's time to make a plan for it. Planning is, obviously small, but it has an important meaning, Says Aliyeva. It involves scheduling, planning, budgeting, interview outlines and preparing your schedule and setting up shooting lists. Arzu Aliyeva All this must be completed prior to turning on the camera.

When you're at the production stage , it is the time for all your planning to be put into practice. https://commons.wikimedia.org/wiki/File:Arzu_Aliyeva.jpg Aliyeva reminds us that the important rule of thumb in film productions is that "Nothing can ever go as scheduled." You could have prepared more effectively than a lawyer in the class action lawsuit however, everything could change in practice. Aliyeva stresses the importance following the direction of your movie and not arguing against it.

It's time to move on to the post-production phase. Once you've finished shooting all of the footage, it's time to decide what is worth saving. Aliyeva says the majority of the film will be stored on the floor of her editing space.

Did you finish your movie? Great! Now it is time to showcase it to people. According to Arzu Aliyeva, Distribution is not often taught to filmmakers. If you're not big-budget epics documentary films don't have the same amount of attention as feature movies. Arzu Aliyeva Arzu Aliyeva You can promote it on the web or with large businesses.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously states that everything begins with the camera. Documentaries need two key elements, regardless of their budget or size. The film must be seen and heard. This means that you need the most effective audio equipment and camera so viewers can understand what you have just shown.

Once you've settled that you've made your decision, you can get an array of equipment to aid in delivering your message. Arzu Aliyeva This will depend on the kind of documentary you're creating. A reliable lighting system is necessary for making a documentary that is based only on archive footage or interviews. You should invest in a camera , as well as audio stability devices if you plan to make an entire film that includes a lot of outdoor images.

Aliyeva clarifies that it's completely individual and can be swapped according to what kind of project you are planning to create. It isn't complete without considering equipment.

What is the standard amount of time required to create a documentary?

Arzu Aliyeva says that the length of an undertaking isn't the same as a set amount. Projects can take from months to complete, and even years. Aliyeva says it's all about the subject and your enthusiasm. Documentaries are often about crucial social issues, and the movie can help you follow their progress. It is common for a filmmaker to believe that a project will take some time. Arzu Aliyeva But, reality can rapidly make it take a few years.

The budget is another factor that influences the length or the shortening of your film. While you're in your phase of production or in the pre-production stage there are unforeseen changes to the budget may occur. https://www.azerbaycan24.com/en/haber-global-prepares-footage-about-awarding-prize-to-arzu-aliyeva-at-international-festival-video/ Aliyeva divides it into two major scenarios:

The most likely:you probably ate more than you could chew , and spent too much money during the first stages of production. This leaves you with very little or no funds for the remainder of your film. Aliyeva believes that this could be a learning moment for you regarding how to keep your film alive even if you have the smallest amount of money.
The less likely This scenario is intended for filmmakers who are fortunate enough to be able to achieve it as Aliyeva suggests. These are the areas where large companies and producers are able to learn about your project and determine whether they will fund the project in the near future. This could help your efforts and open up possibilities that you'd never imagined.
Aliyeva asks how much it costs to make documentary.
Like other elements mentioned in the article, the price of your movie is also very project-dependent. Arzu Aliyeva counsels anyone who is requesting advice to be careful when planning budgets. http://www.bakuchessolympiad.com/news/11/178 It is vital to know exactly what you want to accomplish at every stage of your film. How long your movie is and how large will determine the price of the film.

It is not necessary to have a large budget when you're making a film that is based on stories and testimonials. The cost of a movie is determined by its size. A lot of the cost of movies are determined by location numbers, production value and total investment in the features.

Aliyeva states that sometimes the cost of your vision may be as important as the vision itself. Make sure that your vision is worth the price.
Website: https://aztv.az/en/news/23806/president-ilham-aliyev-and-first-lady-mehriban-aliyeva-visited-tartar-district