Notes

ELVIS film Review method
A tumbling tower of flamboyance and fetishistic extra, Baz Luhrmann’s model of the King of Rock ‘n’ Roll is as gaudy as Elvis himself. The film, like its subject, straddles a nice line between spectacular and tacky, and between slick and dull.

Luhrmann’s approach, which is to throw everything in with a sense of giddy abandon, can be effective at capturing the sense of over-the-top vitality and spectacle that made Presley such an inimitable attraction in his prime. But he often fails to offer the fabric the weight it must feel substantial. ดูซีรี่ย์จีน mishandles cloying musical biopic clichés. From over- ซีรี่ย์จีนพากย์ไทย of women at his early shows erupting into screams and throwing their underwear onstage, to scandalous headlines, finger-wagging moral gatekeepers growing hysterical over how he was busting down racial obstacles and promoting indecency, the movie is stuffed with cliches that keep it from reaching any actual emotional heights.

There are ดูซีรี่ย์จีน , of course. The movie does a reasonably good job of contextualizing Elvis’s early experiences in Black areas (Tupelo, Memphis’s Beale Street) and how those black juke joints and gospel music revivals hooked him on blues and gospel as a toddler. It’s a part of the picture that many have omitted over the years. And the movie puts some of his most well-known songs back into the mouths of the Black musicians who first wrote them, situating him as an appreciator of that music quite than the thief so many have claimed him to be over the years.

The film’s remedy of the connection between Elvis and his supervisor, Colonel Tom Parker, is somewhat more problematic. Played by Tom Hanks beneath layers of absurd prosthetics and a very baffling accent, Parker comes off as cartoonishly evil which undercuts the tension that this story is meant to generate.

Despite its flaws, the film nonetheless manages to seize a number of the sense of marvel that we felt as children watching Elvis in his prime, and for that purpose it’s worth a viewing. But don’t anticipate anything close to a definitive account of the man’s life.

ELVIS opens in theaters on June 24. Check out the trailer under..
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