Notes

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Officially, the Fast & Furious franchise includes nine feature films, with the tenth on the way, plus a spin-off, Hobbs & Shaw (2019), which didn't please Vin Diesel at all. However, that's only the main story: true fans understand that the Gospel According to Toretto has spread through animated series ?Fast & Furious: Spies at Full Throttle (2017-2021)?, video games, an attraction in all the Universal theme parks and several short films just for the, very insiders.


The first of these gets the incredible title of The Turbo Charged Prelude for just two 2 Fast 2 Furious (2003) and is, well, a simple prelude to the second film, devoted to how Brian O'Connor (Paul Walker) manages to evade the authorities. from LA until landing in Miami. The producers' idea was to determine some sort of connective tissue between the first two installments and fill a narrative gap that, in the end, consolidated Brian because the absolute protagonist of the story, since Diesel didn't want to return. Only promotional material created for the web ?hence its aesthetic, almost worthy of a Sisq� video clip?, although some UNITED STATES cinemas showed it before 2 Fast 2 Furious to provide the public a far more complete experience.

While you won't find anyone defending The Turbo Charged Prelude for just two 2 Fast 2 Furious as an essential little bit of mythology, things have become different with regards to the next short. Los Bandoleros (2009), written and directed by Vin Diesel himself, introduces Tego Calder�n and Don Omar in to the saga, two musicians turned actors who be essential pieces in some subsequent installments, especially Fast 5 (2011). Not only that, but it addittionally details what happened to the characters of Dom and Letty (Michelle Rodriguez) after the original film, in addition to recovering Sung Kang's Han, whose friendship with the paterfamilias have been established at the end of Fast & Furious: Tokyo Race (2006). A lot more than an interlude between movies, Los Bandoleros is a refoundation of the franchise, a new beginning where Diesel allowed himself to look at a far more poetic and relaxed tone, in keeping with the natural settings of the Dominican Republic (where he himself, a reggaeton enthusiast, insisted which should be set). It isn't strictly necessary that you see it in the next fast and furious marathon, nonetheless it responds to the authorial vision of the primary creative engine of it. That makes it an interesting curiosity.


However, the story does not end there. Only the most dedicated to the reason know this, but there is a secret, semi-official film that, thanks to director Justin Lin's capability to slip under Universal's radar, can be considered section of the experience. From Fast X Online , sure, but take our word for it: the crime dramedy Better Luck Tomorrow (2002) traces the origins of the type Han Lue, also played by Kang (can you imagine any other actor in that role?). He and Lin have confirmed on multiple occasions that it is indeed exactly the same character, so there is absolutely no reason, other than the most obvious and boring copyright issue, to exclude her from canon. In fact, their presence transforms this cinematic universe right into a more expansive and richly nuanced place: it's funny to believe that while Dom and Brian were meeting in downtown L.A., the characters in Better Luck Tomorrow were living their own ordeal just a couple of feet away. kilometers of distance.

The story of how this indie film found its way into F&F is fascinating enough to miss. When screenwriter Chris Morgan heard that Universal was open to suggestions for a third film in the series, he arrived at his offices with a pitch about how exactly Dominc Toretto decides to travel to Japan to research the murder of an old friend. Since Diesel was not yet interested in returning to what would become his family ? he only wanted to create a brief final cameo after the studio gave him the rights to The Chronicles of Riddick (2004) ? Morgan contacted Justin Lin to assume a fresh protagonist. The director thought it could be a great possibility to cast an Asian-American actor as the franchise's new hero, but the producers flatly refused, arguing that someone like Lucas Black could have more potential at the box office. Lin reluctantly agreed, asking them to at least let him revise the script to create it less "offensive and outdated" (those were his words).


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