Notes

Film School: The Production Designer
One of the very most important roles in virtually any film school education is that of the production designer. It may seem it's an easy task, but it's a lot more than just what it says. In a few ways it's more of a supervisory position where you have several people working under you. However, every one of them contribute to the entire look of whatever film is being made.

The production designer's responsibility is that of maintaining the look of a film. By working closely with the director and the director of photography, they could keep the visual design of the film in check during the period of the production.

The production designer works with other key members of a production such as the costume designer, to ensure the style sense meshes with the feel of the film. Say you're making a film set in the 1950s and for some reason someone is wearing clothing for the 1970s; this can clearly be considered a problem as you intend to keep track of these kind of issues. Exactly the same also goes for props and furniture, especially if it is a period piece that's being made; you always want everything to be from the same time frame. You wouldn't want a film set in the 1940s to possess characters using mobile phones, would you?

These types of things revolve round the photography, the costumes and many times, in science fiction for example, the special effects. Consider the film Blade Runner for instance and its own resemblance to the classic film noir style fused with a post-apocalyptic ambiance. Imagine how the overall look of the film will be drastically altered if sunny exteriors were suddenly incorporated into the film? It would type of throw the complete vibe of the film off kilter, which explains why the production designer is such a crucial element to any film production.

In film school, you might not realize how important this position happens to be. Production designers work in close connection with the director to make certain that every visual detail is in play. Sometimes it's not an easy task. In some of the films I've worked during and after film school, I've seen production designers work themselves to the bottom ensuring everything comes together ultimately. Using more info , I was helping the production designer seek out authentic costumes for a comedy set in the 1970s, which meant scouring many thrift stores and friends attics for polyester clothing. Sometimes it had been nearly impossible to get anything, but with plenty of research and finding some off the beaten path stores, a lot of the required clothes were found.

Such painstaking realism is frequently sought by filmmakers who strive for every iota of authenticity. Perhaps most obviously is Stanley Kubrick's Barry Lyndon, which is set in the 18th century; every single aspect of this particular film is founded on the look and style of that era from the costumes, some of that have been authentic 18th century clothes, to the use of lighting where specific scenes were filmed entirely in candle light even to the establishing shots which resembles paintings of the era. While a lot of the appearance was primarily Kubrick's vision, a lot of it fell onto the production designer who supervised a crew to make certain that all the minor details fell into place in the grand scheme of things.

In virtually any film school education, it is important to monitor these details, simply by watching films. It's also important to have a larger understanding on how crucial the production designer is in film, and also television and theater.
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