Notes

Film School: The Production Designer
One of the most important roles in virtually any film school education is that of the production designer. It may seem it's an easy task, but it's a lot more than precisely what it says. In some ways it's more of a supervisory position where you have several people working under you. However, every one of them contribute to the entire look of whatever film has been made.

check here is that of maintaining the look of a film. By working closely with the director and the director of photography, they are able to keep the visual design of the film in check during the period of the production.

The production designer works together with other key members of a production including the costume designer, to ensure the style sense meshes with the feel of the film. Say you're creating a film set in the 1950s and for some reason someone is wearing clothing for the 1970s; this may clearly be considered a problem as you intend to keep track of these kinds of issues. Exactly the same also goes for props and furniture, particularly if it's a period piece that's being made; you always want everything to be from once frame. You wouldn't want a film set in the 1940s to possess characters using cell phones, would you?

These kind of things revolve round the photography, the costumes and several times, in science fiction for instance, the special effects. Consider the film Blade Runner for instance and its resemblance to the classic film noir style fused with a post-apocalyptic ambiance. Imagine how the look and feel of the film will be drastically altered if sunny exteriors were suddenly incorporated into the film? It would sort of throw the whole vibe of the film off kilter, which explains why the production designer is such a crucial element to any film production.

In film school, you might not realize how important this position happens to be. Production designers work in close contact with the director to ensure that every visual detail is in play. Sometimes it isn't an easy task. In a few of the films I've worked during and after film school, I've seen production designers work themselves to the bottom making sure that everything comes together ultimately. On one such occasion, I was helping the production designer seek out authentic costumes for a comedy set in the 1970s, which meant scouring many thrift stores and friends attics for polyester clothing. Sometimes it was nearly impossible to find anything, but with plenty of research and finding some off the beaten path stores, almost all of the required clothes were found.

Such painstaking realism is frequently sought by filmmakers who strive for every iota of authenticity. Most notable is Stanley Kubrick's Barry Lyndon, that is occur the 18th century; each and every aspect of this specific film is based on the look and design of that era from the costumes, a few of which were authentic 18th century clothes, to the usage of lighting where specific scenes were filmed entirely in candle light even to the establishing shots which resembles paintings of the era. While much of the appearance was primarily Kubrick's vision, a lot of it fell onto the production designer who supervised a crew to make certain that each of the minor details fell into invest the grand scheme of things.

In virtually any film school education, it's important to monitor these details, by just watching films. You'll want to have a greater understanding on how crucial the production designer is in film, and also television and theater.
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