Notes

How do I watch Fast x on my Nintendo DS?
Officially, the Fast & Furious franchise includes nine feature films, with the tenth on the way, and also a spin-off, Hobbs & Shaw (2019), which didn't please Vin Diesel at all. However, that's only area of the story: true fans know that the Gospel In accordance with Toretto has spread through animated series ?Fast & Furious: Spies at Full Throttle (2017-2021)?, video gaming, an attraction in all the Universal theme parks and several short films simply for the, very insiders.

The first of them has the incredible title of The Turbo Charged Prelude for 2 2 Fast 2 Furious (2003) and is, well, a straightforward prelude to the second film, centered on how Brian O'Connor (Paul Walker) manages to evade the authorities. from LA until landing in Miami. The producers' idea was to establish a kind of connective tissue between the first two installments and fill a narrative gap that, in the end, consolidated Brian as the absolute protagonist of the story, since Diesel didn't want to return. A mere promotional material created for the web ?hence its aesthetic, almost worthy of a Sisq� video clip?, although some UNITED STATES cinemas showed it before 2 Fast 2 Furious to provide the public a far more complete experience.

While you won't find anyone defending The Turbo Charged Prelude for 2 2 Fast 2 Furious as an essential little bit of mythology, things have become different with regards to the next short. Los Bandoleros (2009), written and directed by Vin Diesel himself, introduces Tego Calder�n and Don Omar into the saga, two musicians turned actors who be essential pieces in a few subsequent installments, especially Fast 5 (2011). Not just that, but it addittionally details what happened to the characters of Dom and Letty (Michelle Rodriguez) after the original film, along with recovering Sung Kang's Han, whose friendship with the paterfamilias have been established by the end of Fast & Furious: Tokyo Race (2006). A lot more than an interlude between movies, Los Bandoleros is really a refoundation of the franchise, a fresh beginning where Diesel allowed himself to adopt a more poetic and relaxed tone, in keeping with the natural settings of the Dominican Republic (where he himself, a reggaeton enthusiast, insisted which should be set). It is not strictly necessary that you see it in your next fast and furious marathon, but it responds to the authorial vision of the primary creative engine of it. That makes it an interesting curiosity.


However, the story will not end there. Only probably the most dedicated to the reason know this, but you will find a secret, semi-official film that, because of director Justin Lin's capability to slip under Universal's radar, can be viewed as part of the experience. From the certain point of view, sure, but take our word for it: the crime dramedy Better Luck Tomorrow (2002) traces the origins of the character Han Lue, also played by Kang (can you envisage any other actor for the reason that role?). He and Lin have confirmed on multiple occasions that it is indeed exactly the same character, so there is no reason, other than the most obvious and boring copyright issue, to exclude her from canon. Actually, their presence transforms this cinematic universe into a more expansive and richly nuanced place: it's funny to believe that while Dom and Brian were meeting in downtown L.A., the characters in Better Luck Tomorrow were living their own ordeal just a couple feet away. kilometers of distance.

The story of how this indie film found its way into F&F is fascinating enough to miss. When Fast X heard that Universal was open to suggestions for a third film in the series, he showed up at his offices with a pitch about how exactly Dominc Toretto decides to travel to Japan to investigate the murder of a vintage friend. Since Diesel was not yet interested in returning to what would end up being his family ? he only wished to make a brief final cameo after the studio gave him the rights to The Chronicles of Riddick (2004) ? Morgan contacted Justin Lin to assume a fresh protagonist. The director thought it might be a great opportunity to cast an Asian-American actor because the franchise's new hero, however the producers flatly refused, arguing that someone like Lucas Black could have more potential at the box office. Lin reluctantly agreed, asking them to at least let him revise the script to create it less "offensive and outdated" (those were his words).



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