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Toadies - Play Rock Music
Remember this band?... It gave the look of the Toadies ruled the air waves in the mid 90's, following your launch of Rubberneck in 1994. One song off that album, "Possum Kingdom," has even achieved somewhat cult status lately with new generations. Every song on that album was great, and then they just disappeared. Interscope records position the kabosh on their own follow up album "Feeler," which finally saw the light of day this season.
One of the items I always liked one of the most concerning the Toadies was the dark undertones in their music. I have frequently heard the Toadies called "alt-rock," nonetheless they really defy most labels. Part grunge, part heavy drinking bar band, part west Texas/ZZ Top boogie, there's a lot to love about it band.
Well, this guitar rock band from Fort Worth, Texas is back again. This time with .Music. The band has stated in interviews that they can felt more freedom recording this record than another, that's very good news for us, because the Toadies are best if they are unbridled and doing the things they're doing best.
The album begins with "Rattler's Revival," a fantastic rockin' opener that helped me very optimistic concerning the rest of the tracks. I was further rewarded while using next song, "Low." This is the most popular for the album, a loud guitar rocker which makes you would like to push the pedal down while your driving. This song has pumping guitar and rock steady drumming that extends back and forth from bass line only breaks, to dual guitar down strumming. Songs about the album like "Magic Bullet" and "Epic Castles" keep your tempo and up.
"Summer in the Strange" has that dark feel, and is also about losing control/hold. Lots of whining guitar and rumbling bass lines throughout.
The closest you can "Possum Kingdom" on this release would have to be "Beside You." A creepy song saying despite the fact that "you don't actually know me," that "I'll continually be closer than you already know."
"Sunshine" can be a twisted ballad, and another track that takes you returning to Rubberneck, on this occasion reminding me very much of "I Burn." A slower tempo song using a rumbling bass line that builds into Vaden Todd Lewis's trademark singing/screaming. The whole song keeps building and pulling back, much like the New York Dolls classic "Frankenstein."
The song "Animals" is yet another classic sounding Toadies tune, about our primal human urge. It's another rocker that repeats "Tonight we're just two animals." Lots of tempo switches as well as a booming chorus.
"Laments of a Good Man" can be a less serious song that is full of jerky guitar and call and response versus. The chorus switches into a Rollins Band type slow, driving groove... "It's so difficult to become man, to be a good man."
Another style stick out is "We Burned the City Down." This track is often a complete Texas blues/boogie track, full of slide guitar. The theme is a nihilistic commentary current living, "no longer slaves to modern ways" we burned the location down...
Possum removal Ringwood using the slowest song (the only slow song... ) for the album, "The Appeal." At over six minutes, it is usually the longest around the album. This track features some chorus effect guitar, plus a bluesy backbeat. But don't worry, there are many good build ups, however it never discusses the very best just like the other album. You almost have to have the rest once you get to this track.
At the conclusion in the day, this is an overall impressive release. .Music. could have easily been the follow up to Rubberneck within the 90's. I guess what I'm saying is that this is often a Toadies album, a true one. Although it is the 5th release, it is IMHO by far probably the most vibrant and complete piece of content they have got put out since their debut. It's nice to experience a good stone album appear, it looks like that seldom happens anymore.
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