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Arzu Aliyeva How do you make the best documentary film?

Cinema students are taught how to create a documentary but not the emotional or logistical aspects. We asked Azerbaijani filmmaker Arzu Aliyeva a few questions to learn more about it. Aliyeva is a well-known filmmaker and documentary producer who has encountered numerous logistical difficulties when working on her projects. Aliyeva sat behind the director's chair in productions like Son Iclas" and "Objective: Baku. Hitler's War on Oil

This article will explore the various aspects of making documentary films.

The stages of documentary production
Contrary to accounting or other analytical professions, filmmaking does not have any "fixed process." Arzu Aliyeva Arzu Aliyeva claims that all the phases of a documentary's production unfold according to their vision as director. She said that every film is different from its predecessor.

However, productions always begin with "preproduction." This simply means that the filmmaker must have a good concept of what the film should look like before the camera is able to begin rolling.

Now is the time to begin planning your movie. Aliyeva says planning is a term that is simple, but has a deep meaning. This includes planning your budget, creating list of shots, outline for interviews as well as budgeting and scheduling. All of these should be done before you even start.before the camera is turned on.

When you've reached the production stage , it's time to put all your planning into action. Aliyeva reminds us that the iron rule in movie productions is that "Nothing is ever as it was scheduled." It is possible that you done better than a lawyer for an action in a class however, everything could change when you're in the field. Aliyeva explains that you have to evolve with your movie and not go against it.

Once the production has been completed, it's time to begin the post-production phase. After all the content has been shot, it is time to decide the things that should be kept. Aliyeva explained that the majority of it would remain in the editing room.

Did you finish your movie? Great! It is now time to share it with the world. Arzu Aliyeva said that filmmakers don't always know how to distribute. Documentaries don't enjoy the same appeal as feature films , unless they're big-budget epics. It's possible to promote it online or work with large corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously declares that everything begins with the camera. Two essential elements are needed to make a documentary, regardless of size and the budget. The film needs to be watched and the viewers must be able to hear it. It is essential to use the best camera possible as well as audio aids that enable viewers to be able to hear what you showed them.

After you've decided, you can find various other equipment that can aid you in conveying your message. It's all dependent on the type of documentary you're creating. It would help if you were able to create good lighting films based entirely on interviews and archives footage. If you're making a documentary with a lot of outdoor shoots, it is essential to purchase cameras and audio stability equipment.

Aliyeva states that everything is very individual and could be swapped depending on the type of project. Equipment is an important component of your budget during the stage prior to production.

What is the average time to produce a documentary?

Arzu Aliyeva says that there is no set length for a particular project. The duration of projects can vary from months to finish, or years. Aliyeva claims that it is focused on the subject and your love for it. Since Documentaries typically deal with significant social issues they are able to follow their progress as they unfold in the real world. Filmmakers may think that a project would take a few months to finish, however, in reality , it could be a long time.

Budget also influences how long or short your movie runs. Unexpected changes could occur in your budget when you are in the pre-production or production stages. Aliyeva splits it into two main scenarios:

Most likely,you likely ate more than you could chew , and invested too much in the early stages of making. Thus, leaving you very little or no funds for the remainder of your film. Aliyeva believes this can be a lesson for you as it relates to how to keep your movie alive , even with the smallest amount of money.
The less likely This scenario is only for filmmakers fortunate enough to to create it Aliyeva says. Arzu Aliyeva This is where large companies and producers get to know about your project and determine whether they will fund the project in the near future. Arzu Aliyeva Arzu Aliyeva This could boost your efforts and open possibilities that you'd never imagined.
What's the price to make a documentary according to Aliyeva
As with the other elements mentioned in the article , price of your movie could be a lot project dependent. Arzu Aliyeva Arzu Aliyeva encourages everyone who asks her to be extra cautious when planning your budget. It is crucial to be aware of the goals you want to achieve at each stage of the production process. The length of your movie and its size ultimately decide the amount your film will cost.

There is no need for a massive budget if you're creating a film that is based on stories and testimonials. The cost of a film is determined by its size. Location numbers, production values and the overall investment in the film's features all play a key role in determining the costs of films.

Aliyeva explains that at times, the cost of your vision may be more important than the vision itself. Therefore, ensure that the vision you have in mind is worth the cost.
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