Notes

Quebec Museum Offers New Connections to Culture
QUEBEC CITY?
"They were cut off from their families also it was very difficult," says Line Ouellet, telling the story of several aboriginal people in Quebec and elsewhere in Canada who have been confined to reservations as recently as 50 years ago. Their children were sent to convents for their education, depriving them of usage of their native language and culture.

check here may be the director of Quebec City's National Museum of Fine Arts, which includes just opened a new pavilion to showcase 400 contemporary works by Quebec artists, including native artist Nadia Myre, whose work The Scar she actually is describing. In small beige canvases, Myre has collected the memories of her people and the breaking up of families. Each individual stitched an image onto a canvas, that was then displayed in a grouping with others, each telling an individual tale of loss in a tale with a huge selection of chapters.

The work is housed in the museum's 15,000-square-meter, three-level pavilion made of glass and steel and cement, with transparency, translucency, and literal windows in walls to connect the galleries with one another and museum-goers with the planet around them. A good staircase leading from the third floor to the second is structured on the side of the building and encased in glass, so one can start to see the rolling fields and the river that surround the museum. During the night, the museum appears like a box full of light.

Part of Nadia Myre?s The Scar is seen on the far left. In the center is Trevor Gould?s Nubian Giraffe. Through the window, visitors can look out onto Quebec?s Grand Allee and the city beyond.

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