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Arzu Aliyeva: How to create the most effective documentary film

The gruelling logistical aspects of making a documentary is not often addressed by students of cinema. Arzu Aliyeva, an Azerbaijani filmmaker asked us some questions. Aliyeva is a well-known documentary director and producer, has encountered many logistical obstacles in her work. Aliyeva has worked behind the filming of projects such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will discuss and deconstruct the various "behind the scenes" aspects of documentary filmmaking.

The film production process
Contrary to accounting or other analytical professions, filmmaking doesn't have an "fixed procedure." Arzu Aliyeva states that all elements of a documentarian's work take place according to the vision they have as a director. She says that no production is identical to its predecessor. It's just like snowflakes.

However, every production begins with "preproduction." This means that the filmmaker must have a clear concept of what the film will look like before the camera starts rolling.

It is now time to begin planning your movie. Aliyeva believes that planning is a word that's simple but has a profound meaning. This is a good way to plan your budget, making outline of your interview, shot lists planning, budgeting, and scheduling. https://www.instagram.com/aarzualiyeva13/ Before you start your camera, this should be done .

Arzu Aliyeva Once you've arrived at the production stage , it's time to put your preparation into action. Aliyeva reminds us, an iron rule in movie productions is that "Nothing ever goes as planned." It is possible that you done better than a lawyer before a class action case however, everything could change when you're in the field. Aliyeva stresses the importance moving with your movie and not arguing against it.

When the production is finished and you're ready to move on to the post-production phase. When you've completed shooting all the footage It's time to determine what's worth saving. Aliyeva mentioned that the bulk of it would remain in the editing room.

Did you finish your movie? Great! Now is the time to share it with people. Arzu Aliyeva says that distribution is not something filmmakers learn. Unless you are big-budget epics documentaries do not have the same attention as feature films. It's possible to advertise it online or partner with major firms.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked whether everything starts with a camcorder. No matter the budget or size documentary productions need two crucial components. The film has to be seen and heard. That means getting the best camera available as well as audio aids to aid people in listening to the content you've just presented to them.

Once you've settled that after that, you'll be able to find many more tools to help you convey your message. Arzu Aliyeva It will depend on the type of documentary that you are making. If you're making a documentary purely from interviews or archive footage, it will be beneficial to have a good lighting. If you're making a movie which has lots of outdoor shoots, you should invest in a camera and audio stability devices.

Aliyeva said that every project is distinct and equipment can be used in a variety of ways. Making a plan for equipment is a vital component of budgeting in your pre-production phase.

Arzu Aliyeva What is the average duration for making a documentary?

Arzu Aliyeva claims that there's no standard length for a particular project. Many projects take just a few months or several years. Aliyeva claims that it is all about the topic and your enthusiasm for it. Documentaries are often about crucial social issues, and the film can assist you in tracking their progress. The filmmaker might enter the project believing it will take months, but the reality could quickly turn into a couple of years.

The budget is a different factor that influences the length or the shortening of your film. Unexpected budget changes may happen during pre-production and production. Aliyeva breaks it down into two main scenarios:

The less likely choice. You probably ate too often and spent a lot of funds on production in the beginning stages. The film will likely have less or nothing left for the rest. Arzu Aliyeva Aliyeva believes this could be a learning experience in finding out how to keep your film going and with little or no funds.
The least likely: This is intended for filmmakers who are lucky enough to be able to realize their dream according to Aliyeva. This is when big corporations and producers are informed about your idea and decide to finance your project in the near future. This can be a huge boost to your efforts and bring you opportunities that you may not have imagined.
Arzu Aliyeva How much will it cost you to create Aliyeva's documentary?
As with the other elements discussed in the article, the cost of your movie can also be very project-dependent. Arzu Aliyeva preaches to anyone who wants her to be cautious when planning her budget. It is important to know the exact goals you have set for every movie stage. The length of your film and how large will determine the price of your film.

If you are making a film with a focus on testimonials and stories There is no need to have a huge budget. The bigger the film, the more the price. The cost of many movies will be determined by location numbers, production value, and the overall investment in the film's features.

Aliyeva says that, in certain instances the price you pay for your vision could be just more important than the actual vision. You need to make sure that your vision is greater than your expenditures.
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