Notes

Film School: The Production Designer
more info of the most important roles in virtually any film school education is that of the production designer. You may think it's an easy task, but it's more than precisely what it says. In some ways it's more of a supervisory position where you have several people working under you. However, every one of them contribute to the overall look of whatever film has been made.

The production designer's responsibility is that of maintaining the look of a film. By working closely with the director and the director of photography, they are able to keep the visual style of the film in check during the period of the production.

The production designer works together with other key members of a production like the costume designer, to ensure that the style sense meshes with the feel of the film. Say you're creating a film set in the 1950s and for some reason someone is wearing clothing for the 1970s; this can clearly be a problem as you intend to keep track of these types of issues. The same also goes for props and furniture, particularly if it's a period piece that's being made; you always want everything to be from the same time frame. You wouldn't want a film occur the 1940s to possess characters using cell phones, would you?

These kinds of things revolve around the photography, the costumes and several times, in science fiction for example, the special effects. Look at the film Blade Runner for example and its own resemblance to the classic film noir style fused with a post-apocalyptic ambiance. Imagine the way the overall look of the film would be drastically altered if sunny exteriors were suddenly incorporated in to the film? It would type of throw the complete vibe of the film off kilter, which explains why the production designer is such a crucial element to any film production.

In film school, you might not realize how important this position actually is. Production designers work in close contact with the director to be sure that every visual detail is in play. Sometimes it's not an easy task. In some of the films I've worked during and after film school, I've seen production designers work themselves to the ground making sure that everything comes together in the end. Using one such occasion, I was helping the production designer search for authentic costumes for a comedy set in the 1970s, which meant scouring many thrift stores and friends attics for polyester clothing. Sometimes it had been nearly impossible to get anything, but with plenty of research and finding some off the beaten path stores, the majority of the required clothes were found.

Such painstaking realism is frequently sought by filmmakers who strive for every iota of authenticity. Most notable is Stanley Kubrick's Barry Lyndon, that is set in the 18th century; every single aspect of this particular film is founded on the look and design of that era from the costumes, a few of which were authentic 18th century clothes, to the use of lighting where specific scenes were filmed entirely in candle light even to the establishing shots which resembles paintings of the era. While a lot of the appearance was primarily Kubrick's vision, a lot of it fell onto the production designer who supervised a crew to be sure that all of the minor details fell into place in the grand scheme of things.

In any film school education, it's important to monitor these details, by just watching films. It's also important to have a larger understanding on what crucial the production designer is in film, in addition to television and theater.
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