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Toadies - Play Rock Music
Remember this band?... It seemed like the Toadies ruled air waves back in the mid 90's, as soon as the release of Rubberneck in 1994. One song off that album, "Possum Kingdom," has even achieved somewhat cult status recently with new generations. Every song on that album was great, and then they just disappeared. Interscope records place the kabosh on the follow up album "Feeler," which finally saw the light of day this year.
One of the things that I always liked essentially the most in regards to the Toadies was the dark undertones within their music. I have frequently heard the Toadies called "alt-rock," nonetheless they really defy most labels. Part grunge, part heavy drinking bar band, part west Texas/ZZ Top boogie, there is a lot to like about it band.
Well, this guitar rock band from Fort Worth, Texas is back again. This time with .Music. The band has said in interviews they felt more freedom recording this record than another, that's good news for all of us, because Toadies might be best if they are unbridled and doing what they do best.
have a peek at this web-site starts out with "Rattler's Revival," an incredible rockin' opener that forced me to be very optimistic about the remaining tracks. I was further rewarded with all the next song, "Low." This is my personal favorite about the album, a loud guitar rocker that creates you need to push the pedal down while your driving. This song has pumping guitar and rock steady drumming that goes back and forth from bass line only breaks, to dual guitar down strumming. Songs for the album like "Magic Bullet" and "Epic Castles" keep the tempo as well as up.
"Summer of the Strange" has that dark feel, which is exactly about losing control/hold. Lots of whining guitar and rumbling bass lines throughout.
The closest you're able to "Possum Kingdom" on this release must be "Beside You." A creepy song saying although "you don't actually know me," that "I'll always be closer than you know."
"Sunshine" is a twisted ballad, and another track that takes you time for Rubberneck, this time reminding me greatly of "I Burn." A slower tempo song having a rumbling bass line that builds into Vaden Todd Lewis's trademark singing/screaming. The whole song keeps building and pulling back, much like the New York Dolls classic "Frankenstein."
The song "Animals" is the one other classic sounding Toadies tune, about our primal human urge. It's another rocker that repeats "Tonight we're just two animals." Lots of tempo switches as well as a booming chorus.
"Laments of a Good Man" is a less serious song that's stuffed with jerky guitar and call and response versus. The chorus switches into a Rollins Band type slow, driving groove... "It's so desperately to be a man, to be a good man."
Another style stand out is "We Burned the City Down." This track can be a dreaded Texas blues/boogie track, full of slide guitar. The theme is a nihilistic commentary current living, "no longer slaves to modern ways" we burned the city down...
The album ends with the slowest song (the one slow song... ) about the album, "The Appeal." At over six minutes, it is usually the longest for the album. This track features some chorus effect guitar, plus a bluesy backbeat. But don't worry, there are some good build ups, nevertheless it never covers the superior such as the other album. You almost need the rest once you get to this track.
At the end of the day, it is deemed an overall impressive release. .Music. could have easily been the followup to Rubberneck within the 90's. I guess what I'm saying are these claims is often a Toadies album, an actual one. Although it is the 5th release, it is IMHO by far probably the most vibrant and finish piece of work they've got created since their debut. It's nice to experience a good rock and roll album emerge, it seems like that seldom happens anymore.
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