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Arzu Aliyeva: How can you make the best documentary films?

The haunting logistical aspect of creating a documentary is often not discussed by film students. Arzu Aliyeva (Azerbaijani filmmaker) was asked questions. Aliyeva is an established documentary producer and director has faced many logistical obstacles in her work. Aliyeva was behind the camera in productions like "Son Iclas" or "Objective: Baku". The Nazis' War on Oil

This article will look at and explore various aspects of making documentary films.

The phases of documentary production
Filmmaking is, unlike other professions that require analysis like accounting, does not have an "fixed" procedure. Arzu Aliyeva states that every stage of documentarian's production are governed by their ideas. She asserts that no film is exactly the same as the one before it. It's just like snowflakes.

But, even so each film begins with "pre-production." That simply means that the director should have an idea of how the film will appear.

When you've got a clear knowledge of the background to your film, it's now time to organize it. Arzu Aliyeva Planning is, naturally an unimportant word that has an important meaning, Says Aliyeva. It means building your budget, setting up shoot lists, interview outline, working out the budget, and building your schedule. Arzu Aliyeva Before turning on your camera, all of this should be taken care of .

When you've reached the final stage of production , now it is time to put your preparation into action. Aliyeva reminds us all that film productions are not predictable. You're able to prepare more effectively than lawyers to file a class action lawsuit, however, things may change in practice. Aliyeva explains that it's important to work with your movie instead of against it.

After production is finished, it is time to begin the post-production process. Once all the material has been taken, it's time to consider what you want to keep. Aliyeva said that the majority of the film will be stored in her editing space.

Did you finish your movie? Arzu Aliyeva Great! Now is the time to open it to the general public. Arzu Aliyeva has stated that filmmakers aren't taught how to distribute. Except for epics with big budgets documentary films don't have the same level of demand like feature films. It's possible to advertise it on the internet or collaborate with big firms.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that everything starts with a camera , when she is asked. Two essential elements are needed for any documentary, regardless of size and the budget. The film must be seen, and the audience should be able to hear it. That means getting the best camera available and having audio aids to assist people in absorbing what you've just presented them.

Once that's settled There are a variety of tools to assist you in communicating your message. It will all depend on the kind of documentary you're making. A reliable lighting system is necessary for creating a documentary based solely on archive footage and interviews. Cameras and audio stability device are vital if you plan to make a film that involves a lot of outdoor shooting.

Aliyeva clarifies that it's all very personal and interchangeable according to what kind of project you're planning to develop. Thinking about equipment is a critical component of budgeting during your pre-production phase.

What takes the longest to make a documentary.

Arzu Aliyeva says that there isn't a set duration for a project. Projects may take months to finish, or years. Aliyeva says it's all about the subject and your enthusiasm. Since Documentaries typically deal with important social issues they are able to follow them as they unfold in the real world. A filmmaker can go into an undertaking thinking that it will take him several months, but the reality could quickly turn into a couple of years.

https://president.az/en/articles/view/6296 Another element that can cut or lengthen the length of your movie is your budget. Unexpected changes to your budget could occur during pre-production as well as production. Aliyeva breaks it down into two situations.

The most likely scenario:you probably bit more than you can chew and spent too much money in the early stages of production. Arzu Aliyeva You'll have very little or nothing left for the rest. Aliyeva thinks this could be a learning experience for you regarding how to keep your project alive , even though you have just a little cash.
The less probable one: According to Aliyeva, the less likely scenario is only feasible for the most fortunate filmmakers. This is where big companies and producers are able to learn about your project and decide whether or not to fund the project in the near future. This could give a huge boost to your project and open up possibilities that you've never thought of.
What will it cost to produce Aliyeva's documentary?
In addition to the other components that are discussed in the article, the price of your film can be a lot project dependent. Arzu Aliyeva counsels anyone who wants to know to be wary of budgeting. It is vital to understand your movie's objectives for each stage. The length of your film and its length ultimately determine how much your film will cost.

It is not necessary to have a large budget to make a film that is based on stories and testimonials. The more expensive the movie is, the higher the cost. The cost of many movies is eventually set by locations numbers, production value as well as the total investment in the film's features.

Aliyeva says that, in certain instances, the cost of your vision can be as important as the vision itself. Arzu Aliyeva You need to make sure that your vision is greater than the cost of your vision.
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