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Arzu Aliyeva: How to make the best documentary

Cinema students learn how to make a documentary but not the emotional and logistical aspects. Arzu Aliyeva is an Azerbaijani filmmaker, has asked us a few questions. Aliyeva, an experienced documentary producer and director , has had to overcome many logistical obstacles in her work. Aliyeva sat behind the director's chair for productions such as Son Iclas" and "Objective: Baku. http://www.drugoffice.gov.hk/gb/unigb/open.spotify.com/artist/4rz8usCaoXZvnSOTkR8nBg The Nazis' War on Oil

This article will explore and examine the "behind-the scenes" aspects of documentary filmmaking.

The stages of documentary production
Filmmaking is, unlike other professions that require analysis like accounting, doesn't have the luxury of a "fixed" procedure. Arzu Aliyeva says that every phase of documentarian's production are guided by their vision. She says that no film is exactly the same as its predecessor, much like snowflakes.

However each film begins by "pre-production." This means the filmmaker should already have a fairly good idea about how his film will appear.

After you've realized what your movie is about and what it's about, you need to make a plan for it. Aliyeva says that planning is a word that's simple but has a deep meaning. Planning is planning, scheduling the budget, interview outline creating your schedule and setting up list of shots. All of that should be done bybefore you turn on your camera.

Once you've arrived at the production stage , it's time to put all of your preparation into action. Aliyeva reminds us that an essential rule of film production is that "Nothing ever goes as expected." You may have prepared better than a lawyer for a class action case However, things could alter in the course of your work. Aliyeva emphasizes that you need to change with your movie and not be averse to it.

When the production is complete, it is time for the post-production process. After all the footage has been taken, it's time for you to determine what needs to be saved. Aliyeva says most of it will be left on the floor of the editing room.

Did you finish your movie? https://independent.academia.edu/BainMuir1 Great! Now is the time to present it to people. Arzu Aliyeva said that distribution isn't something that filmmakers are taught. In the absence of epics or huge budgets, documentary films aren't as popular. It could be promoted online or you can try your luck at the big companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva smiles when asked if everything starts with a camcorder. Two essential elements are needed to make a documentary, regardless of the size and budget. The film needs to be seen and heard. This means that you require the most effective camera and audio aids to ensure that people can hear the content you've just shown.

After that after that, there are other tools to aid in communicating your message. This is contingent on the type of documentary you're making. A quality lighting system is crucial when creating a documentary based entirely on archive footage and interviews. If you're creating a film which has lots of outdoor shooting, you need to invest in the right camera and audio stability devices.

Aliyeva states that everything is very individual and could be changed in accordance with the type of project. Equipment is an essential part of your budget in the initial phase of production.

What takes the longest to create a documentary.

According to Arzu Aliyeva, the length of your project is something that isn't set in the concrete. Arzu Aliyeva Certain projects can last a few months or even several years. Aliyeva claims that it's focused on the subject matter and your passion. Because Documentaries often deal with important social issues and issues, the film is able to follow their progress as they unfold in reality. A filmmaker may enter a project thinking it will take months, but reality can quickly extend it to a few years.

Arzu Aliyeva Another thing that can either reduce or increase the length of your film is your budget. Unexpected adjustments to your budget could occur during pre-production as well as production. Aliyeva splits it into two main scenarios:

Most likely:you probably ate more food than you can chew and invested too much in the initial stages of production. This leaves you with little to no money for the rest of your movie. Aliyeva says this can be a lesson in finding out the best way to maintain your film without spending a dime.
Arzu Aliyeva The less likely This scenario is only for filmmakers who are fortunate enough to be able to make it happen, Aliyeva says. Arzu Aliyeva This is when big corporations and producers hear about your project and decide to fund your movie in the future. Arzu Aliyeva This could be a major boost to your efforts and give you opportunities you may not have imagined.
How much will it cost you to make Aliyeva's documentary?
Similar to the other factors discussed in this article, the cost of your movie is also very project-dependent. Arzu Aliyeva advises anyone who wants her to be prudent when determining her budget. It is essential to comprehend your objectives for each stage of the movie production process. The length of your film's production and the size of it will decide the amount it will cost.

There is no need for a massive budget to make a movie about stories and testimonials. The cost of a film is determined by its size. Arzu Aliyeva Many movies' costs are affected by the location number production value, as well as overall investment in the features.

Aliyeva states that sometimes the price you pay for your vision could be just more important than the actual vision. You must ensure that your vision does not outweigh the cost of your vision. Arzu Aliyeva
Homepage: http://www.drugoffice.gov.hk/gb/unigb/open.spotify.com/artist/4rz8usCaoXZvnSOTkR8nBg