Notes

Arzu Aliyeva: How to create the most effective documentary film

The gruelling logistical aspects of making a documentary film is seldom discussed by film students. Arzu Aliyeva is an Azerbaijani filmmaker, asked us a few questions. Aliyeva is a seasoned documentary producer and director has faced many logistical challenges in her productions. Aliyeva was behind the scenes of productions like "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will analyze and analyze the various "behind the scenes" aspects of documentary filmmaking.

The film production process
Unlike accounting or other analytical professions, filmmaking doesn't have an "fixed process." Arzu Aliyeva says that all elements of a documentarian's work unfold according to their vision as director. She explained that each film is unique from the one before it.

However, every production starts by "pre-production." This means that the filmmaker must have a pretty good concept of how his film will appear.

Arzu Aliyeva It is now time for you to plan your movie. Aliyeva states that"planning" is a tiny word, yet it has a wide range of meaning. It means building your budget, creating shooting lists, interview outline making a budget and creating your schedule. Before you turn on your camera, this must be completed .

When you are at the production stage , it is time for all the preparation to put into practice. Aliyeva reminds you that in movie productions, "Nothing ever goes according to plan." Although you may make more preparation than a lawyer for an action case however, things could change drastically in practice. Aliyeva stresses the importance moving along with the film and not arguing against it.

It's now time to go through the post-production stage. Once you've finished shooting every single piece of footage, it's time to decide which ones are worth saving. Aliyeva says most of it is left on the floor of the editing room.

Did you finish your movie? Arzu Aliyeva Arzu Aliyeva Great! Now is the time to expose it to the world. Arzu Aliyeva has stated that filmmakers do not learn how to distribute. Unless you are big-budget epics documentaries do not have the same demand as feature movies. It's possible to advertise it online or work with large corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva smiles when asked if all things begin with a camcorder. Documentaries require two essential elements, regardless of size or budget. The film needs to be seen and heard. You need to have the highest quality camera and audio aids that enable viewers to hear what you just shown them.

Once that is settled, there are many other tools to aid in communicating your message. It all depends on the kind of documentary you're making. A quality lighting system is crucial when making a documentary that is based exclusively on archive footage and interviews. Arzu Aliyeva If you're creating a film which has lots of outdoor shoots, it is essential to purchase the right camera and audio stability equipment.

Aliyeva clarifies that it's highly individual and interchangeable in accordance with the project you're planning on creating. Equipment is an essential part of your budget during the pre-production phase.

What takes the longest for a documentary.

Arzu Aliyeva says that there is no set length for a particular project. Projects can take months to complete, or years. Aliyeva says that it's all about the subject and your interest. Since documentaries typically deal with many important social issues, the movie is able to convey them through real life. Filmmakers might think that a film can take several months to finish, but in reality , it may take them several years.

Budget is another aspect that influences the length or shortening of your movie. If you're in the stages of production or pre-production certain unexpected changes to the budget may occur. Aliyeva breaks the situation down into two primary situations.

https://avciya.az/arzu-aliyeva-attends-childrens-festival/ The most likely:you likely ate more than you can chew and have spent too much money in the first stages of production. The result is that you have only a small amount of money to invest in the remainder of your movie. Aliyeva claims this can be a teaching moment in finding out the best way to keep your film alive even with a small amount of money.
The less likely option:The less likely scenario can happen only to the luckiest of filmmakers, according to Aliyeva. This is that producers and large corporations get to know about your project and decide whether or not to fund it in the future. It could be a significant boost to your efforts and give you opportunities you may not have dreamed of.
Aliyeva wonders what it would cost to produce documentary.
Similar to the other factors discussed in the article, the price of your film is dependent on the project. Arzu Aliyeva advises anyone who has asked her to be extra cautious when making budgets. It is essential to be clear about your movie's objectives for each stage. Arzu Aliyeva How long your movie is and the size will determine the price of the film.

A film built on testimonials and stories isn't a big investment. The more expansive the film, the greater the price. The cost of many films is ultimately determined by location numbers, production values and the total budget for the film's featurettes.

Aliyeva says sometimes, the cost determines your vision. You must ensure that your vision worth the cost. https://azertag.az/en/xeber/france-1169030
Here's my website: https://avciya.az/arzu-aliyeva-attends-childrens-festival/