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Arzu Aliyeva: How to create the most effective documentary film

Cinema students learn how to make a documentary but they are not taught the emotional and logistical aspects. We have asked Azerbaijani filmmaker Arzu Aliyeva, a few questions to find out more about. Aliyeva is a well-known filmmaker as well as documentary producer, who has encountered many logistical issues during her projects. Aliyeva has been behind the scenes of documentaries like "Son Iclas" (and "Objective Baku). The Nazis' War on Oil

This article will analyze and explore the "behind-the scenes" aspects of documentary filmmaking.

The phases of documentary production
As opposed to accounting, or other similar professions, filmmaking does not have any "fixed procedure." Arzu Aliyeva claims that all the phases of a documentary's production unfold according to their vision as director. She says that no film is the same as its predecessor, much like snowflakes.

http://news.croconet.ge/user/Arzu.Aliyevaqobr961/ However, every production starts with "pre-production." That simply means the filmmaker should have a pretty good concept of how his film will appear.

After you've realized what the film is about, it is time to plan it accordingly. Aliyeva says planning is a common word that has a deep meaning. https://plantpurejumpstart.com/forums/user/arzu-aliyevaikoi363/ This is a good way to plan your budget, creating list of shots, outline for interviews, budgeting, and scheduling. All of this must be completed in HTML0before the camera is turned on.

Once you've arrived at the stage of production , it's time to put the preparation you've made into practice. Aliyeva reminds movie productions, "Nothing ever goes according to schedule." Even though you're able to make more preparation than a lawyer for the event of a class-action lawsuit but things may change quickly in the real world. Aliyeva stresses the importance of moving along with the film and not arguing against it.

Once the production has been completed and you're ready to begin the post-production phase. Once you've taken all the material then it's time to determine what's worth keeping. Aliyeva says the majority of it will end up in the editing room's floor.

Did you finish your movie? Great! It is now time to make it available to the world. Arzu Aliyeva states that filmmakers rarely learn how to market their work. Except for epics with big budgets Documentaries aren't in the same level of demand as feature movies. They could be promoted on the internet or you can test your luck with the big corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously claims that everything begins with cameras. Two significant elements are required in any documentary regardless of its size and budget. The film must be viewed and heard. That's why you should get the most effective camera that you can afford and audio aids that make it easier for people to listen to what you've just presented them.

After you've got that established, you'll need more equipment for filmmaking to assist you in communicating your message. This, naturally, depends on the kind of documentary you're making. It's helpful if could have good lighting for films based entirely on interviews and archive footage. Cameras and audio stability device are crucial if you intend to create a film which includes lots of outdoor shooting.

Aliyeva said that every project is unique and the equipment is able to be used interchangeably. Equipment is a significant part of your budget in the phase prior to production.

How long does it take to Create a Documentary?

Arzu Aliyeva states that there's no standard duration for a project. The length of projects may vary from up to a couple of months, or several years. Aliyeva says that it all depends on the subject matter and your interest. Arzu Aliyeva Documentaries are often about important social issues and the documentary can aid you in following the development of their projects. A filmmaker may enter an idea thinking it will take months to complete, but the reality may swiftly extend the time to several years.

Another aspect that could reduce or increase the length of your film is the budget. If you're in the phase of production or in the pre-production stage certain unexpected changes to the budget may occur. Aliyeva breaks it down into two basic situations.

http://sp-filya.ru/user/Arzu-Aliyevagoxg850/ The less likely one. You probably ate too much and spent too little money on production in the early stages. There will be little or no money left over to cover the remainder. Aliyeva believes this could be a teachable moment regarding finding out how to keep your film going and with little or no funds.
The less likely scenario:The less likely scenario could only happen to filmmakers with the most luck, according to Aliyeva. It is also where large corporations and producers are informed about your film and decide to help fund your project in the near future. This could be a major boost for your efforts as well as bring you opportunities that you may not have imagined.
What will it cost to make Aliyeva's documentary?
As with the other elements that are discussed in the article, the price of your film can be a lot project dependent. Arzu Aliyeva suggests to anyone who inquires to be wary of budgeting. It is important to understand your goals at each step of the film's production. The length of your film as well as the size of it will decide how much it will cost.

A movie that is built on testimonials and stories does not require a huge budget. The more expansive the film, the greater the cost. https://zamericanenglish.net/discussion/index.php?qa=user&qa_1=arzu-aliyevaewft669 Production values, location numbers and the overall investment in film's special features all play an important part in determining the price of films.

Aliyeva says that in some cases the price you pay for your vision could be just as important as the vision itself. You need to ensure that your vision outweighs your expenses.
Homepage: http://cvpvm09.ru/user/Arzu.Aliyevamqtk996/