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Arzu Aliyeva How do you make the best documentary film?

Cinema students are taught how to create a documentary but they are not taught the emotional and logistical aspects. Arzu Aliyeva (Azerbaijani filmmaker) was asked a few questions. Aliyeva, known as a documentary producer and director, has encountered many logistical challenges in her projects. Aliyeva has been behind scenes of productions such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will investigate and dissect different aspects of making documentary films.

The stages of documentary production
Filmmaking is unlike other analytical fields like accounting, doesn't follow the luxury of a "fixed" process. Arzu Aliyeva claims that all stages of a documentary's production are governed by their vision. She says that no film is exactly the same as its predecessor, just as snowflakes.

Yet, every production starts by completing "pre-production." It simply means that , before the camera can begin to shoot the filmmaker must be able to form an opinion of how the film is going to look.

After you've decided the subject matter of your film It's time to plan it out. Aliyeva states that planning is a very tiny word, but it has a lot of significance. It includes planning your budget, creating outline of your interview, shot lists planning, budgeting, and scheduling. All this must be completed prior to turning to the camera.

Once you've arrived at the production stage , it's time to put your preparation into practice. Aliyeva reminds us of an important rule of thumb in film productions is that "Nothing can ever go as scheduled." You could have prepared more effectively than a lawyer prior to any class action However, things could alter in the course of your work. Arzu Aliyeva Aliyeva explains that it's crucial to work with your film and not against it.

It is now time for the post-production phase. Once you've shot all of the footage then you must decide what's important to save. Aliyeva states that most of it will end up in the editing room's floor.

Did you finish your movie? Great! Now it is time to show it to people. Arzu Aliyeva says distribution is not something filmmakers are taught. Except for epics with big budgets, documentaries don't get the same demand as feature films. They could be promoted on the internet, or you can try your luck at the big corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva smiles when asked if everything starts with a camcorder. No matter the size or budget documentary productions must have two key components. The film needs to be watched and the audience must be able to hear it. That means investing in the top camera you can get and using audio aids to make it easier for people to listen to the film you've shown them.

Once you've settled that you've made your decision, you can get various other equipment that can help you convey your message. This is contingent on the type of documentary you're making. It is helpful if you had a good lighting system to create the documentary solely on interviews or archive footage. A camera as well as audio stability devices are crucial if you intend to create a film which includes lots of outdoor shooting.

Aliyeva says that it's completely individual and can be swapped in accordance with the project you're planning to develop. The thought of equipment is a vital part of the budget division during your pre-production phase.

How Do I Create a Documentary?

According to Arzu Aliyeva, the duration of your project is something that is never set in stone. Different projects can take up to a couple of months, or a few years. Aliyeva claims it's focused on the subject and your interest in it. Since documentaries typically deal with many important social issues, this film manages to escort the issues as they play out in the real world. A filmmaker can go into the project believing it will take him several months to complete, but the reality may quickly turn into a couple of years.

Budgets can affect how long or short your film will run. Unexpected changes may occur to your budget when you're in the production or pre-production phases. Aliyeva splits it into two main scenarios:

The more likely one:you probably bit more than you can chew , and lost a significant amount of cash in the beginning stages of production. You will have little or no money left over to cover the remainder. Aliyeva suggested that this could be a lesson in how you can keep your film going even with no money.
The least likely This scenario is intended for filmmakers fortunate enough to be able to realize their dream as Aliyeva suggests. https://www.pcb.its.dot.gov/PageRedirect.aspx?redirectedurl=https://www.azerbaycan24.com/en/haber-global-prepares-footage-about-awarding-prize-to-arzu-aliyeva-at-international-festival-video/ It is also where large corporations and producers hear about your project and decide to finance your movie in the future. This could boost your efforts as well as open possibilities that you'd never imagined.
Aliyeva wonders what it would cost to produce a documentary.
Arzu Aliyeva Arzu Aliyeva The cost of your film as well as the other elements mentioned in this article, is project dependent. Arzu Aliyeva recommends to anyone who asks that she be aware of budget planning. It is essential to establish clear movie's objectives for each stage. The length of your film's production and the size of it will decide the amount it will cost.

There is no need for a massive budget to make a movie about stories and testimonials. Arzu Aliyeva The bigger the film, the more the cost. The cost of many movies will be determined by location numbers, production value and the total expenditure on the film's main features.

Aliyeva believes that your vision is often defined by price. Make sure your vision is worth the cost.
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