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Arzu Aliyeva: How do you make the best documentary film?

The gruelling logistical aspects of creating a documentary is not often covered by cinema students. Arzu Aliyeva (Azerbaijani filmmaker) was asked questions. Aliyeva, an established documentary producer and director, has faced many difficulties in the logistics of her films. Aliyeva has been behind the scenes of documentaries like "Son Iclas" (and "Objective Baku). The Nazis' War on Oil

This article will explore and analyze the "behind-the scenes" aspects of documentary filmmaking.

The phases of documentary production
Unlike accounting or other analytical professions, filmmaking doesn't have an "fixed process." Arzu Aliyeva says that the phases of a documentary's production follow their own vision as a director. She explains that no production is identical to its predecessor, just like snowflakes.

But, even so, every production starts by "pre-production." That simply means the filmmaker should have a pretty good concept of how his film will look.

When you've identified the theme of your film, it is time to make a plan for it. Arzu Aliyeva Aliyeva says planning is a simple word that has a significant meaning. Planning is planning, scheduling the budget, interview outline creating your schedule and preparing shooting lists. All of this should be completed before turning on your camera.

When you've reached the final stage of production , now it is time to put your planning into action. Aliyeva reminds us, an unwritten rule for film productions is that "Nothing is ever as it was scheduled." It is possible that you prepared more effectively than a lawyer prior to a class action case but things can swiftly alter in the course of your work. Aliyeva says it's crucial to collaborate with your film instead of against it.

After production is finished then it's time to move on to the post-production process. Arzu Aliyeva Once you have shot all the material after which you can decide what's worth saving. Aliyeva stated that most of it would be left on the floor in the editing room.

Did you finish your movie? Great! Now it is time to show it to people. Arzu Aliyeva said that filmmakers don't always know how to market their work. Except for epics with big budgets, documentaries don't get the same amount of attention as feature movies. It is possible to promote them on the web or with large businesses.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked about it, Aliyeva laughs and says that everything starts with a camera. Documentaries require two essential components, regardless of budget or size. The film should be viewed and heard. This means that you need the most effective camera and audio aids so viewers can understand what you've shown.

Once that is settled after that, there are other filmmaking tools that can assist in communicating your message. It is all dependent on the type of documentary you're making. It's best if you were able to create good lighting films based entirely on archive footage and interviews. If you're making a film with a lot of outdoor shoots, it is essential to purchase the right camera and audio stability equipment.

Arzu Aliyeva Aliyeva explained that each project is unique and the equipment can be used interchangeably. Equipment is a significant part of your budget in the stage prior to production.

How long does it take to Create a Documentary?

According to Arzu Aliyeva the length of your project is never set in stone. Many projects take a few months or even a few years. Aliyeva claims that it is focused on the subject and your interest in it. Since documentaries deal on a myriad of social issues, this film allows you to follow these issues in real life. Filmmakers can think a project would take a few months to finish, but in reality it can be a long time.

Another aspect that could make your movie shorter or longer is the budget. Unexpected adjustments to your budget may occur during pre-production and production. Aliyeva breaks it down into two major scenarios:

The most likely:you probably ate more food than you could chew and invested too much in the first stages of production. This leaves you with very little or no funds for the rest of your movie. https://www.pinterest.com/arzush2015/?amp_client_id=CLIENT_ID(_)&mweb_unauth_id={{default.session}}&_url=https://www.pinterest.com/amp/arzush2015/xal/ Aliyeva mentioned that this could be an opportunity to learn how you can keep your movie going with very little money.
Arzu Aliyeva The least likely This is for filmmakers lucky enough to to make it happen as Aliyeva suggests. This is when big corporations and producers hear about your film and decide to finance your movie in the future. This can help boost your efforts as well as open opportunities you'd never dreamed of.
Aliyeva asks how much it will cost to create a documentary.
Like the other aspects mentioned in the article the cost of your movie can be extremely project-dependent. Arzu Aliyeva advises anyone who asks her to be careful when planning her budget. It is essential to understand your film's goals for each stage. How long your movie is and how large will ultimately determine the cost of the film.

It is not necessary to have a large budget if you are making a movie about stories and testimonials. The price of a movie is determined by its size. The cost of movies is affected by the location number along with the production cost and the total investment in the features.

Aliyeva says that, in certain instances, the cost of your vision may be more important than the actual vision. You must ensure that your vision worthy of the expense.
Here's my website: https://president.az/en/articles/view/6296
     
 
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