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Cinema students are taught to make a documentary film but not the emotional or logistical aspects. We've asked Azerbaijani filmmaker, Arzu Aliyeva a few questions to find out more about. Aliyeva is an experienced documentary director and producer has encountered many logistical hurdles in her projects. Aliyeva was the camera in films like "Son Iclas" or "Objective: Baku". The Nazis' War on Oil
This article will analyze and analyze the various "behind the scenes" aspects of documentary filmmaking.
The steps of document production
Filmmaking is not the same as other analytical fields such as accounting or finance. Arzu Aliyeva states that each stage of a documentary's production follows their concept, which they have set forth as a director. She explained that each production is unique from the one before it.
Every production begins by completing "pre-production." It simply means that before a camera is able to begin filming the filmmaker must be able to form an opinion of how the film will appear.
Arzu Aliyeva Once you've figured out what the film is about, it is time to organize it in a way that is suitable. Aliyeva believes that planning is a simple word that has a deep meaning. It is about establishing your budget, creating shooting lists, interview outline as well as determining the budget and creating your schedule. All of this should be done prior to turning to the camera.
Once you've reached the final stage of production , now it is time to put your preparation into action. Aliyeva reminds us that film productions are not predictable. You're able to prepare more effectively than lawyers in the possibility of a class action lawsuit but things aren't always as predictable during the course of the production. Aliyeva stresses the importance of moving along with the film and not fighting it.
http://mkdvostok.ru/user/Arzu-Aliyevadgso825/ It's time to move on to the Post-production stage. After all the footage is recorded, it's the time to think about what should be preserved. Aliyeva says that the majority of the material will be stored on the floor of her editing space.
Did you finish your movie? Great! Now is the time to make it available to the world. Arzu Aliyeva has stated that filmmakers rarely learn how to distribute. Except for epics with huge budgets, documentary films do not have the same demand. You could promote it online or make an attempt with the major companies.
Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously claims that everything begins with a camera. No matter the size or budget documentary productions must have two crucial elements. The film has to be seen and the audience must hear it. That means getting the best camera available and having audio aids to assist people in absorbing the film you've presented to them.
https://www.sitiosecuador.com/author/arzu-aliyevafjic140/ After you have that settled, there's much more equipment for filmmaking that can help you with your task of communicating your message. It is all dependent on the type of documentary that you are making. It would help if you had good lighting to make films based entirely on interviews and archives footage. If you're creating a film which has lots of outdoor shooting, you should invest in cameras and audio stability equipment.
Aliyeva says that everything is very personal and can be interchanged according to the nature of project. Pre-production can't be complete without thinking about the equipment.
How Long Does It Take to Make a Documentary?
http://vne-dorog-chita.ru/user/Arzu.Aliyevaqtgk159/ According to Arzu Aliyeva, length of your project isn't set in stone. Projects may take months to finish, or years. Aliyeva claims that it is all about the topic and your love for it. Since documentaries are often concerned on important social issues The film has the ability to follow them when they take place in reality. It is quite possible for a filmmaker to believe that the project will last many months. Arzu Aliyeva But, reality can rapidly make it take a few years.
Budgets can affect how long or short your movie runs. If you're in the stage of pre-production or production, some unexpected changes in the budget may occur. Aliyeva breaks the situation down into two primary situations.
The more likely one:you probably bit more than you could chew and wasted too much of your funds in the initial stages of the production. This leaves you with little or no money to spend on the remaining part of your film. Aliyeva suggests this could be a teaching moment in finding out the best way to keep your film going even with a small amount of money.
The less likely This scenario is for filmmakers fortunate enough to to make it happen, Aliyeva says. Producers and major companies learn about your project, and decide to finance it in the near future. This could give a huge boost to your project and open up possibilities that you've never thought of.
Aliyeva asks how much it would cost to produce documentary.
The cost of your film as well as the other elements in this article , is highly dependent on the scope of your project. Arzu Aliyeva is adamant to anyone who wants her to be prudent when planning the budget. It is vital to know the exact goals you have set for each movie stage. The length of your film and how large will ultimately determine the expense of your film.
A film that is built on testimonials and stories doesn't require a large budget. The more expensive the movie costs, the higher. Production values, location numbers as well as the overall cost of films' features all play a key role in determining the costs of movies.
Aliyeva believes your vision is often defined by cost. You must ensure that your vision outweighs your expenses.
Here's my website: http://vne-dorog-chita.ru/user/Arzu.Aliyevaqtgk159/
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