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Arzu Aliyeva What is the best way to make the best documentary film?

Cinema students are taught how to make a documentary but they are not taught the emotional and logistical aspects. Arzu Aliyeva (Azerbaijani filmmaker) was asked a few questions. Aliyeva is a well-known director as well as documentary producer, who has faced numerous logistical hurdles during her projects. Aliyeva has sat in the director's chair for productions such as Son Iclas" and "Objective: Baku. The Nazis' War on Oil".

This article will analyze and examine the "behind-the scenes" aspects of documentary filmmaking.

The steps of document production
Filmmaking isn't like other analytical fields such as finance or accounting. Arzu Aliyeva asserts that every stage of a documentary's production follows their vision that they've laid out as director. She asserts that no film is identical to its predecessor. This is similar to snowflakes.

Arzu Aliyeva However every film starts by "pre-production." https://www.instagram.com/aarzualiyeva13/ This means the filmmaker should have a pretty good idea of how the film should look.

Now is the time for you to plan your film. Planning is, naturally tiny word with a significant meaning behind it, Says Aliyeva. This means planning your budget, creating list of shots, outline for interviews as well as budgeting and scheduling. Before you start your camera, all this should be taken care of .

When you've reached the production stage , it's time to put all of your preparation into action. Aliyeva reminds movie productions, "Nothing ever goes according to the plan." Even though you're able to make more preparation than a lawyer for an action case, things can change rapidly in practice. Aliyeva emphasizes the importance of moving along with the film and not arguing against it.

It's now time to go through the post-production phase. Once you've shot all of the material and have decided what is worth saving. Aliyeva explained that the majority of the footage would end up in the editing room.

Did you finish your movie? Great! Now is the time to make it available to the general public. Arzu Aliyeva says that filmmakers do not learn how to distribute. If you're not big-budget epics documentaries do not have the same demand like feature films. It's possible to advertise it online or work with large corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that all things begin by using a camera once she's asked. No matter the size or budget documentary productions must have two essential components. The film needs to be watched, and the audience should be able to hear it. That means getting the best camera available and using audio aids to help people listen to the content you've just presented to them.

Once you have that settled after that, there are other filmmaking tools that can assist you in communicating your message. It is all dependent on the type of documentary you're making. It is helpful if you had good lighting to make films based entirely on interviews or archive footage. It is recommended that you consider investing in a camera as well as audio stability systems for when you want to make a movie with a lot of outdoor photographs.

Aliyeva says that everything is personal and can be changed in accordance with the type of project. Equipment is a significant part of your budget during the stage prior to production.

Arzu Aliyeva What is the longest time to produce a documentary.

Arzu Aliyeva states that there isn't any set duration for a project. Certain projects can take months, while others could take months. Aliyeva claims that it's all about the subject and your enthusiasm. Documentaries typically address crucial social issues, and the film will help you track the progress of your project. It is possible for a filmmaker to think that a project can take many months. But, the reality can rapidly make it take a few years.

The budget is a different factor that could affect the length of or shortening your film. Unexpected changes can happen in your budget when you're in the production or pre-production phases. Aliyeva breaks it down into two major situations.

The less likely choice. You probably ate too excessively and spent too little funds on production in the beginning. You'll be left with very almost no money left to spend on the rest of your film. Aliyeva suggested she thought this might be a good lesson on how you can keep your movie running on a budget with minimal funds.
The less likely scenario: According to Aliyeva this scenario is only possible for those filmmakers who are fortunate. These are the places where producers and big corporations learn about your project and decide if they want to finance it in the future. It could be a significant boost to your efforts and provide opportunities that you might not have dreamed of.
What's the price to create a documentary according to Aliyeva
As with the other elements discussed in the article, the price of your movie could also be highly project-dependent. Arzu Aliyeva urges everyone who wants to know her advice to be cautious when it comes to setting budgets. Arzu Aliyeva It is essential to understand your movie goals for each stage. The length of your movie and its size ultimately decide the amount of your film's cost.

There is no need for a massive budget to make a film that is based on stories and testimonials. The larger the film, the higher the cost. Many movies' costs are determined by location numbers production value, as well as general investment in the feature.

Aliyeva explains that at times the price of your vision can be more important than the actual vision. Make sure your vision is worthy of the expense. https://rocketreach.co/arzu-aliyeva-email_48547861
Homepage: https://timesofworld.net/arzu-aliyeva-on-women-in-the-documentary-industry/