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When cinema students learn how to make a documentary film They are not taught about the perplexing logistical aspect. Arzu Aliyeva who is an Azerbaijani filmmaker, has asked us a few questions. Aliyeva is a well-known filmmaker as well as documentary producer, who has faced numerous logistical hurdles in her work. Aliyeva sat behind the director's chair for productions such as Son Iclas" and "Objective: Baku. Hitler's War on Oil".
Arzu Aliyeva This article will explore and analyze the various "behind the scenes" aspects of documentary filmmaking.
The steps of document production
Filmmaking is, unlike other professions that require analysis like accounting, doesn't have the luxury of a "fixed" procedure. Arzu Aliyeva asserts that every step of the production of a documentary are governed by their own vision. She states that no production is exactly the same as its predecessor, just as snowflakes.
However, every film starts by completing "pre-production." This signifies that before a camera starts rolling, the filmmaker needs to be able to form an opinion of how the film will look.
After you've decided what your movie is about and what it's about, you need to make a plan for it. Aliyeva says that"planning" is a small term, but it is a word with a lot of meaning. It includes planning your budget, making outline of your interview, shot lists including budgeting, scheduling, and budgeting. All this must be completed before you turn on the camera.
Once you've arrived at the production stage , it's time to put the preparation you've made into practice. Aliyeva reminds you that in movie productions, "Nothing ever goes according to the plan." Even though you're able to make more preparation than a lawyer in a class-action case however, things could change drastically when you're actually doing it. Aliyeva explains that you have to be flexible with your production and not be averse to it.
Arzu Aliyeva Once the production has been completed the time has come to move on to the post-production stage. After all the content has been captured, it's now the time to think about what should be preserved. Aliyeva explained that the majority of the footage would end up on the floor within the editing area.
Did you finish your movie? Great! Now is the time to make it available to the public. Arzu Aliyeva said that filmmakers do not learn how to market their work. Except for epics with big budgets, documentary films do not have the same demand. Arzu Aliyeva You can promote it on the internet or try your luck with the major companies.
Arzu Aliyeva's most Essential Equipment in a documentary
When Asked, Aliyeva jokingly claims that everything begins with a camera. http://hawkee.com/profile/3479138/ Two essential elements are needed to make a documentary, regardless of the size and budget. The film has to be seen and heard. That means investing in the top camera that you can afford as well as audio aids to aid people in listening to the film you've presented them.
Arzu Aliyeva Once you've set, there's a lot more filmmaking equipment that will help you with your task of transmitting your message. Arzu Aliyeva It will depend on the type of documentary that you are creating. A quality lighting system is vital when creating a documentary based exclusively on archive footage and interviews. Cameras and audio stability device are necessary if you wish to create a documentary that includes a lot outdoor shooting.
Aliyeva explained that each project is different and equipment can be used in a variety of ways. Pre-production is not complete without considering equipment.
How long does it take to Make a Documentary?
Arzu Aliyeva declares that the length the project is not the same as a set amount. The duration of projects can vary from months to complete, or years. Aliyeva says that it all depends on the subject and the passion you have for it. Since Documentaries typically deal on important social issues they are able to follow their progress as they develop in real time. It is possible for filmmakers to imagine that a project can take many months. But, reality could quickly cause it to take several years.
Budget can also affect the length or duration of your movie runs. Unexpected changes can happen in your budget when you're in the production or pre-production stages. Aliyeva breaks it down into two broad scenarios.
The more likely option:you probably bit more than you can chew and wasted too much of your funds in the initial stages of the production. You'll have very little or nothing left for the rest. Aliyeva suggests this could be a lesson in figuring out how you keep your film running without spending a dime.
The less likely: This is intended for filmmakers who are lucky enough to be able to realize their dream according to Aliyeva. These are the areas where big companies and producers review your work and decide if they want to finance it in the future. It could be a significant boost for your efforts as well as bring you opportunities that you may not have imagined.
Aliyeva wonders what it would cost to produce documentary.
Like the other aspects mentioned in the article , price of your movie could be a lot project dependent. Arzu Aliyeva preaches to anyone who wants her to be prudent when planning the budget. It is essential to comprehend your goals at each step of film production. The length of your film's production and its size will determine the amount it will cost.
A movie that is built on testimonials and stories does not require a huge budget. Arzu Aliyeva The more expensive the movie costs, the higher. Locations, production costs and the total investment in films' features all play a key role in determining the costs of movies.
Aliyeva says that sometimes the cost can define your goals. Also, make sure the vision you have in mind is worth the cost.
Homepage: https://ruby.ecs.umass.edu/Umasscleanroom/index.php/Arzu-Aliyeva-What-is-the-best-way-to-make-the-most-effective-documentary-film--b
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