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Arzu Aliyeva: How do you make the best documentary film?

The gruelling logistical aspects of creating a documentary is often not addressed by students of cinema. We asked Azerbaijani filmmaker, Arzu Aliyeva a few questions to learn more about it. Arzu Aliyeva Aliyeva is a well-known director as well as documentary producer, who has faced many logistical issues during her projects. Aliyeva was behind the production of films such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil".

This article will analyze and examine the "behind-the scenes" aspects of documentary filmmaking.

The film production process
Filmmaking like other analytical professions like accounting, doesn't follow a "fixed" method. Arzu Aliyeva says that every phase of documentarian's production are guided by their vision. The director claims that every film can be identical to the previous one. It's like snowflakes.

Productions are always started with "preproduction." This simply means that the director must have a solid idea of what his film should look like before the camera begins to roll.

Now it is time to begin planning your movie. Planning is, obviously tiny word with an important meaning, Says Aliyeva. It involves scheduling, planning and budgeting, outlines for interviews, building your schedule, and setting up shot lists. All of this should be done in HTML0before switching on your camera.

After you've reached your production stage , now it is time to put the preparation you've made into action. Aliyeva reminds us that movie productions are unpredictable. It is possible to prepare more effectively than lawyers to file an action in a class, but things could change rapidly during the course of the production. Aliyeva explains that you have to change with your movie and not buck it.

Now is the time to begin the post-production phase. Once you have shot every bit of footage after which you can determine what's worth keeping. Aliyeva says that the bulk of the footage will be kept on the floor of her editing space.

Did you finish your movie? Great! Now it is time to show it to people. Arzu Aliyeva Arzu Aliyeva states that filmmakers aren't taught how to market their work. Unless you are big-budget epics documentaries do not have the same amount of attention as feature films. You can promote it on the internet or collaborate with big companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes about how everything starts with a camera , when she is asked. Two essential elements are needed in any documentary regardless of its size and budget. The film has to be heard and seen. Arzu Aliyeva That means getting the best camera you can buy and audio aids that make it easier for people to listen to the footage you've presented to them.

After that, there are many other tools for filmmaking that can help you communicate your message. It all depends on the kind of documentary that you are making. It's helpful if were able to create good lighting an entire documentary based solely on interviews and archive footage. It is recommended to consider investing in a camera as well as audio stability devices when you intend to make the film with lots of outdoor photographs.

Aliyeva said that every project is unique , and the equipment is able to be used interchangeably. Equipment is an essential part of your budget during the phase prior to production.

What is the amount of time required to create a documentary?

According to Arzu Aliyeva, the duration of your project is something that cannot be set in the stone. Certain projects can last several months or a few years. Aliyeva claims that it is focused on the subject and your passion for it. Because Documentaries often deal with social issues that are important they are able to follow the events as they unfold in reality. It is common for a filmmaker to think that a project will take some time. However, the reality could quickly mean that it will take several years.

The budget is a different factor that can affect the length or the shortening of your film. Unexpected budget changes could occur during pre-production as well as production. Aliyeva breaks it down into two basic situations.

The least likely option. You probably ate too much and spent too little funds on production in the beginning stages. This leaves you with only a small amount of money to spend on the remaining part of your film. Aliyeva mentioned she thought this might be a valuable lesson in how to keep your movie going with very little money.
The less probable one: According to Aliyeva, the less likely scenario is only feasible for those filmmakers who are fortunate. That is where big companies and producers discover your film and decide to fund your film in the future. This can be a huge boost for your efforts and offer you opportunities you may not have dreamed of.
What's the price to create a documentary according to Aliyeva
In addition to the other components mentioned in the article , price of your movie could also be very project-dependent. Arzu Aliyeva Arzu Aliyeva advises anyone who asks her to be extremely careful when planning her budget. It is crucial to know your goals at each step of the production process. The length of your film and the size will ultimately determine the cost of the film.

If you are making a film that is based on stories and testimonials you don't have much need for a big budget. Arzu Aliyeva The price of a movie is determined by the size of the film. The cost of movies is determined by the location numbers along with the production cost and the overall investment in the features.

Aliyeva says that, in certain instances the cost of your vision could be just as important as the actual vision. You need to make sure that your vision is greater than your expenditures.
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