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Arzu Aliyeva: How do you make the most compelling documentary movies?

The terrifying logistical aspect of making a documentary is often not addressed by students of cinema. Arzu Aliyeva, an Azerbaijani filmmaker, has asked us a few questions. Aliyeva, an experienced documentary producer and director has faced many logistical challenges in her productions. https://www.gettyimages.ca/photos/arzu-aliyeva Aliyeva has sat in the director's chair on productions such as Son Iclas" and "Objective: Baku. Hitler's War on Oil".

This article will look at and analyze various aspects of documentary filmmaking.

The film production process
Filmmaking is not the same as other fields of analysis, such as accounting or finance. Arzu Aliyeva claims that each step in the production of a documentary is guided by the vision that they've formulated as a director. She states that no production is identical to its predecessor, just like snowflakes.

Even still, every production begins by completing "pre-production." This means that before a camera is able to begin filming the filmmaker must have a good idea of how his film should look.

It is now time to think about planning your film. Planning is, naturally an unimportant word that has a significant meaning behind it, Says Aliyeva. It involves preparing your budget, creating shot lists, interview outlines as well as determining the budget, and creating your schedule. All of this should be done bybefore turning on your camera.

Once you've reached the production stage , now it is time to put the preparation you've made into action. Aliyeva reminds us all that film productions are not predictable. https://www.instagram.com/aarzualiyeva13/ You'll be able to plan better than a lawyer for the possibility of a class action lawsuit but things could change rapidly in practice. Aliyeva explains that you have to be flexible with your production and not go against it.

After production is finished then it's time for the post-production process. Once you've finished shooting all of the footage then you must decide what's important to save. Aliyeva says most of it will remain on the floor of the editing room.

Arzu Aliyeva Did you finish your movie? Great! Now it's time to make it available to the public. Arzu Aliyeva said that filmmakers do not learn how to market their work. Other than epics with huge budgets documentary films don't have the same demand as feature films. You can promote it on the internet or make an attempt with the major corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that all things begin with a camera whenever she's asked. Documentaries require two crucial components, regardless of size or budget. The film has to be viewed and heard. You must have the best camera available as well as audio aids that enable people to listen to what you presented to them.

https://www.alamy.com/stock-photo-leila-aliyeva-center-emin-agalarov-and-arzu-aliyeva-during-presentation-22835688.html Once that is settled, there are many other filmmaking tools that can assist you in communicating your message. Arzu Aliyeva It is dependent on the kind of documentary that you are making. If you are making an interview-based documentary or archive footage, it'd be beneficial having a great lighting. You should invest in a camera , as well as audio stability systems for when you want to make a movie with a lot of outdoor images.

Aliyeva said that every project is unique , and the equipment can be utilized interchangeably. Pre-production is not complete without thinking about equipment.

What is the standard duration for making a documentary?

Arzu Aliyeva says that the length of a project is not an absolute amount. Many projects take a few months or even a few years. Aliyeva asserts that it is focused on the subject matter and your love for it. Since Documentaries are prone to dealing with many important social issues, this film can be a guide for them through real life. Arzu Aliyeva It is possible for a filmmaker to think that a project can take several months. https://azertag.az/en/xeber/Vice_President_of_Heydar_Aliyev_Foundation_Leyla_Aliyeva_and_Arzu_Aliyeva_visit_several_facilities_in_Baku-84323 But, the reality can quickly mean that it will take several years.

Budget also influences how long or short your film will run. Unexpected changes to your budget may occur during pre-production and production. Aliyeva breaks it down into two major situations.

The less likely one. You probably ate too excessively and spent too little money on production in the early stages. This leaves you with little to no money for the rest of your movie. Aliyeva suggests this could be a teaching moment in figuring out how you keep your film running even with a small amount of money.
The less probable one: According to Aliyeva, the less likely scenario is only available to the most fortunate filmmakers. Producers and large corporations hear about your work and decide to fund it in the near future. This could be a major increase in your production and offer you opportunities you may have never imagined.
What is the cost for a documentary to be made according to Aliyeva
In addition to the other components mentioned in the article the price of your movie could also be highly project-dependent. Arzu Aliyeva enjoins all who wants to know her advice to be careful when setting budgets. It is important to understand your goals at each step of the production process. Arzu Aliyeva Arzu Aliyeva How long your movie is and how big it is will ultimately determine the cost of your film.

A film that is based on stories and testimonials doesn't require a large budget. The bigger the film, the more the price. Production values, location numbers and the overall investment in film's features all play a role in setting the cost of movies.

Aliyeva says that sometimes the cost determines your goals. You need to ensure that your vision exceeds the cost of your vision.
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