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The haunting logistical aspect of creating a documentary film is rarely discussed by film students. Arzu Aliyeva is an Azerbaijani filmmaker asked us some questions. Aliyeva, well-known documentary producer and director, has faced many logistical hurdles in her projects. Aliyeva worked behind the camera in films such as "Son Iclas" or "Objective: Baku". Arzu Aliyeva The Nazis' War on Oil
This article will explore and break down the various "behind the scenes" aspects of documentary filmmaking.
The phases of documentary production
Filmmaking is unlike other analytical fields like accounting, does not have any "fixed" method. Arzu Aliyeva states that every stage of the production of a documentary are governed by their ideas. She said that every film differs from the previous one.
However, every film starts with "pre-production." This simply signifies that before a camera can begin to shoot, the filmmaker needs to be able to form an opinion of how his film should look.
When you've identified what the film is about and what it's about, you need to plan it out. Aliyeva believes that planning is a simple word that has a profound meaning. It means building your budget, creating list of shots, outline for interviews, working out the budget, and establishing your schedule. All of this must be done in HTML0before switching on your camera.
Once you reach the stage of production , it is time for all your preparation to be put into use. Aliyeva reminds us, an unwritten rule for film productions is that "Nothing can ever go as planned." It is possible that you prepared more effectively than a lawyer before an action in a class, but everything can quickly change when you're in the field. Aliyeva emphasizes that you need to be flexible with your production and not be averse to it.
Arzu Aliyeva Now is the time to begin the post-production phase. Once you've taken every bit of footage, it is time to determine what's worth keeping. https://www.myheritage.com/names/arzu_aliyeva Aliyeva says that the majority of the footage will be kept in her editing space.
Did you finish your movie? Great! Now is the time to showcase it to people. Arzu Aliyeva said that filmmakers rarely learn how to distribute. Except for epics with massive budgets, documentary movies don't get as much attention. You could advertise it on the web or make an attempt with the major corporations.
Arzu Aliyeva's most Essential Equipment in a documentary
When Asked, Aliyeva jokingly states that everything begins with the camera. Documentaries require two essential elements, regardless of their budget or size. Arzu Aliyeva The documentary must be seen and heard. You should have the most powerful camera you can and audio aids that allow people to hear what you just showed them.
After you've got that set, there's a lot more equipment for filmmaking to assist you in transmitting your message. It all depends on what kind of documentary you're creating. Arzu Aliyeva A reliable lighting system is necessary for creating a documentary based exclusively on archive footage and interviews. You should purchase a camera as and audio stability devices for when you want to make the film with lots of outdoor footage.
Aliyeva explained that each project is unique and the equipment is able to be used interchangeably. Pre-production can't be complete without thinking about equipment.
How Much Time Does It Take to make a documentary?
Arzu Aliyeva states that there is no set time frame for projects. Some projects may last for several months while other projects can last months. Aliyeva says it's all about the subject and your passion. Since documentaries are often concerned with important social issues they are able to follow their progress as they unfold in reality. Filmmakers can enter the project believing it will take months, however, reality can swiftly make it a few years.
Another factor that could cut or lengthen the length of your movie is the budget. In the pre-production or production phases the possibility of unexpected changes to your budget can happen. Aliyeva breaks the situation down into two primary scenarios.
The more likely one:you probably bit more than you can chew and spent too much money in the early stages of production. You'll have very little or nothing left to cover the remainder. Aliyeva suggested that this could be a lesson in how to keep your film going with very little money.
The least likely This is for filmmakers fortunate enough to be able to make it happen Aliyeva says. This is where producers and big companies hear about your project, and decide to finance it in the near future. This can be a huge boost for your efforts and bring you opportunities that you may not have dreamed of.
What's the price to create a documentary according to Aliyeva
Like the other elements discussed in this article, the cost of your movie is also dependent on the project. Arzu Aliyeva suggests to anyone who is requesting advice to be careful when planning budgets. It is important to understand your goals for each phase of the film's production. The length of your film and the size of it will ultimately determine how much your film will cost.
A film based on stories and testimonials doesn't require a large budget. The more expensive the movie is, the higher the cost. The cost of movies is determined by the location numbers, production value and total investment in the features.
Aliyeva says that, in certain instances the cost of your vision could be just as important as the actual vision. Therefore, ensure that the vision you have in mind is worth the cost.
Homepage: https://www.gettyimages.com.au/photos/arzu-aliyeva
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