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The terrifying logistical aspect of making a documentary film is not often taught by film students. Arzu Aliyeva (Azerbaijani filmmaker) was asked some questions. Aliyeva is an experienced documentary producer and director has encountered many logistical hurdles in her productions. Aliyeva worked behind the camera for productions such as "Son Iclas" or "Objective: Baku". Arzu Aliyeva The Nazis' War on Oil
This article will examine and discuss the "behind-the scenes" aspects of documentary filmmaking.
The stages of documentary film production
Filmmaking, unlike other analytical professions like accounting, doesn't have a "fixed" process. Arzu Aliyeva claims that all stages of the production of a documentary are guided by their vision. Arzu Aliyeva She asserts that no film can be identical to the previous one. It's like snowflakes.
However each film begins with "pre-production." This simply means that the director should have an idea of how the film will appear.
After you've decided the subject matter of your film It's time to plan it out. Planning is, of course tiny word with an important meaning, Says Aliyeva. Planning involves planning, scheduling the budget, interview outline creating your schedule and creating list of shots. All of that should be done in HTML0before you turn on your camera.
Once you've reached the production stage , it's time to put all your preparation into practice. Aliyeva reminds us that movies aren't always predictable. You can prepare more effectively than lawyers to file the possibility of a class action lawsuit but things aren't always as predictable when you're in the field. Aliyeva stresses that you must to adapt with your film and not buck it.
After production is finished then it's time to move on to the post-production process. Arzu Aliyeva Once you've taken all of the footage then it's time to determine what's worth keeping. Aliyeva mentioned that the bulk of the footage would end up on the floor within the editing area.
Did you finish your movie? Great! Now is the time to release it to the general public. Arzu Aliyeva says that filmmakers rarely learn how to distribute. Arzu Aliyeva Except for epics with massive budgets, documentary movies do not have the same demand. You can promote it on the internet or even try it with the biggest companies.
Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva jokes that everything begins with a camera when she is asked. Documentaries require two fundamental components, regardless of budget or size. The film should be viewed and heard. You should have the best camera possible and audio aids that allow people to be able to hear what you demonstrated.
Arzu Aliyeva Once you have that settled, there are many other tools to assist you in communicating your message. It all will depend on the type of documentary you're creating. It would help if you had good lighting to make an entire documentary based solely on interviews and archives footage. A camera and audio stability device are essential if you want to create a documentary that involves a lot of outdoor shooting.
Aliyeva explains that it is extremely personal and can be interchangeable according to what kind of project you plan to make. Pre-production can't be complete without thinking about the equipment.
What is the standard time to produce a documentary?
According to Arzu Aliyeva the length of your project is something that cannot be set in the ground. Some projects may take several months, while others may take several years. Aliyeva says that it all depends on the topic and your interest. Since documentaries typically deal with numerous social issues, the film is able to convey them through real life. It is common for a filmmaker to believe that the project will last many months. But, reality could quickly cause it to take several years.
Budget also influences the length or duration of your film is. When you're amid your stage of pre-production or production there are unforeseen changes to your budget might happen. Aliyeva breaks it down into two major situations.
The more likely option:you probably bit more than you can chew , and wasted too much of your money in the early stages of the production. Thus, leaving you just a little or nothing to pay for the remainder of your film. Aliyeva suggests this could be a lesson in the best way to maintain your film and with little or no funds.
The less likely option: According to Aliyeva the less likely scenario is only available to the most fortunate filmmakers. This is the time when large companies and producers learn about the project and decide to help fund your film in the future. It could be a significant boost for your efforts as well as offer you opportunities you may not have thought of.
What is the cost to create a documentary according to Aliyeva
In addition to the other components discussed in the article, the price of your film can be a lot project dependent. Arzu Aliyeva teaches anyone who asks her to be careful when planning her budget. Arzu Aliyeva It is vital to know your goals in each phase of your film. The length of your film and its magnitude eventually determine how much your film will cost.
If you create a film focused on testimonials and stories you don't have much requirement for a huge budget. The more expensive the film costs, the higher. A lot of the cost of movies are dependent on the location of the film, production value and overall investment in features.
Aliyeva believes that vision is often defined by price. So, make sure that the vision you have in mind is worth the cost.
Website: https://rocketreach.co/arzu-aliyeva-email_48547861
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