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Arzu Aliyeva How do you make the best documentary film?

Cinema students are taught to make a documentary but not the emotional and logistical aspects. Arzu Aliyeva who is an Azerbaijani filmmaker, posed us a few questions. Aliyeva, a well-known documentary producer and director has seen plenty of logistical challenges in her projects. Aliyeva has worked behind the scenes of documentaries like "Son Iclas" (and "Objective Baku). The Nazis' War on Oil".

https://escatter11.fullerton.edu/nfs/show_user.php?userid=3329010 This article will analyze and dissect the different "behind the scenes" aspects of documentary filmmaking.

http://serov-stal.ru/user/Arzu-Aliyevahluy743/ The stages of documentary production
Filmmaking is different from other fields of analysis, such as accounting or finance. Arzu Aliyeva claims that each step in the production of a documentary is guided by their concept that they've set out as director. She explained that every production differs from its predecessor.

However, productions always begin with "preproduction." It simply means that the filmmaker must have a good concept of what the film will look like before the camera starts rolling.

It's time for you to plan your movie. Planning is, naturally small, but it has a significant meaning behind it, Says Aliyeva. It includes planning your budget, creating shoot lists, interview outline planning, budgeting, and scheduling. Before you start your camera, all of this must be completed .

Once you've made it to the stage of production , it's time to put all of your planning into action. Aliyeva reminds us that film productions can be unpredictable. You can prepare better than a lawyer in the class action lawsuit, however, things may change in practice. Aliyeva explains that you have to change with your movie and not go against it.

It's time to move on to the Post-production stage. Once all the material is shot, it is the time to think about what you want to keep. Aliyeva says most of it is left on the floor of the editing room.

Did you finish your movie? Great! Now is the time to make it available to the world. Arzu Aliyeva has stated that filmmakers aren't taught how to distribute. Other than epics with huge budgets Documentaries aren't in the same amount of attention as feature films. http://alleurasia.com/user/Arzu.Aliyevaukcl350/ You can promote it online or partner with major corporations.

Arzu Aliyeva's most Essential Equipment in a documentary
When Asked, Aliyeva jokingly declares that everything begins with cameras. Whatever the budget or size documentary productions need two essential elements. The film must be seen by the audience, and they must be able to hear it. You must have the best camera available as well as audio aids that enable people to listen to what you presented to them.

After you've got that settled, there's much more equipment to help you with your task of transmitting your message. This will depend on the kind of documentary you're making. It is helpful if you could have good lighting for the documentary solely on interviews and archives footage. Cameras and audio stability equipment are crucial if you intend to make a film that involves a lot of outdoor shooting.

Aliyeva says that everything is very personal and can be interchanged dependent on the kind of project. The thought of equipment is a vital element of budgeting during your pre-production phase.

What is the timeliest way for a documentary.

According to Arzu Aliyeva, the duration of your project is something that is never set in the ground. Certain projects can last several months or a few years. Aliyeva says it all depends on the subject matter and your interest. Since Documentaries typically deal on important social issues, the movie is able to follow the events as they unfold in the real world. Arzu Aliyeva A filmmaker may enter a project thinking it will take months to complete, but the reality may swiftly make it a few years.

The budget is another factor that influences the length or length of your movie. Unexpected changes may occur to your budget when you are in the pre-production or production phases. Aliyeva divides it into two main situations.

The more likely version:you probably bit more than you could chew and spent too much money in the early stages of film production. Arzu Aliyeva It leaves you with the least amount of money available to spend on the rest of your movie. Aliyeva suggested she thought this might be a lesson in how you can keep your movie running with a small amount of money.
The less likely option: According to Aliyeva the least likely scenario is only available to the most fortunate filmmakers. This is where big companies and producers get to know about your project and determine whether they will fund it in the future. This could give a huge boost to your efforts and provide you with options that you've never thought of.
What does it cost to produce Aliyeva's documentary?
As with the other elements mentioned in the article the price of your movie could be extremely project-dependent. http://153.126.169.73/question2answer/index.php?qa=user&qa_1=arzu.aliyevauhmm166 Arzu Aliyeva preaches to anyone who wants her to be extremely prudent when planning the budget. It is crucial to be clear about your goals in each phase of your film. The length of your film's production and its size will determine how much it will cost.

If you are making a film focused on testimonials and stories it's not a need for a large budget. The bigger the movie-the higher the cost. The price of many movies is eventually set by location numbers, production values and the budget for the film's featurettes.

Aliyeva says that in some cases the cost of your vision may be more important than the vision itself. You should ensure that your vision exceeds your expenses.
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