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Arzu Aliyeva: How do you make the best documentary movie

Cinema students are taught how to create a documentary but not the emotional and logistical aspects. Arzu Aliyeva (Azerbaijani filmmaker) was asked some questions. Arzu Aliyeva Aliyeva, well-known documentary producer and director, has experienced a variety of logistical hurdles in her work. Aliyeva was a director's seat in films like Son Iclas" and "Objective: Baku. The Nazis' War on Oil

This article will explore and dissect different aspects of making documentary films.

The stages of documentary production
Unlike accounting or other analytical fields, filmmaking isn't an "fixed procedure." Arzu Aliyeva states that all phases of a documentary's production unfold according to their vision as a director. She explains that no production will be the same as the predecessor, much like snowflakes.

However, every production begins by "preproduction." https://president.az/en/articles/view/6296 It means that the director must have a clear concept of what the film should look like before the camera begins to roll.

Now is the time for you to plan your movie. Aliyeva claims that planning is a simple word that is a powerful word. It means building your budget, setting up shooting lists, interview outline making a budget, and building your schedule. All of this must be completed in HTML0before turning on your camera.

Once you reach the stage of production , it is the time for all your planning to be put into use. Aliyeva reminds us, an unwritten rule for film productions is that "Nothing ever goes as planned." It is possible that you prepared more effectively than a lawyer for the class action lawsuit, but everything can quickly shift in the context of the case. Aliyeva stresses the importance following the direction of your movie and not arguing against it.

It is now time for the post-production phase. Once all the material is recorded, it's time for you to determine what should be preserved. Arzu Aliyeva Aliyeva says the majority of the material will be stored on the floor of her editing space.

Did you finish your movie? Great! Now is the time to show it to the world. Arzu Aliyeva claims that distribution is not something filmmakers are taught. Except for epics with big budgets documentary films don't have the same level of demand like feature films. You can promote it online or partner with major companies.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked if all things begin with a camcorder. Two significant elements are required to make a documentary, regardless of its size and budget. The film must be seen by the audience, and they must be able to hear it. That means investing in the top camera that you can afford and having audio aids to assist people in absorbing the film you've presented them.

Once you've settled that then, you'll need many more tools to help you convey your message. It's all dependent on the type of documentary you're making. A reliable lighting system is crucial when making a documentary that is based only on archive footage or interviews. You should purchase a camera as and audio stability devices when you intend to make a movie with a lot of outdoor shots.

https://www.imdb.com/name/nm7297230/ Aliyeva states that everything is very individual and could be changed according to the nature of project. The process of pre-production cannot be completed without thinking about the equipment.

How Do I create a documentary?

Arzu Aliyeva states that there is no set length for a particular project. Projects may take months to complete, or even years. Aliyeva says that it's all about the subject and your interest. Since Documentaries typically deal with significant social issues they are able to follow these issues as they unfold in the real world. https://en.everybodywiki.com/Arzu_Aliyeva The filmmaker might enter a project thinking it will take him several months, however, reality can quickly extend it to a few years.

Budget can also affect how long or short your film is. Unexpected changes to your budget may happen during pre-production and production. Aliyeva breaks it down into two main scenarios.

The less likely one. You probably ate too many calories and spent too little money on production during the beginning. The result is that you have little or no money to spend on the rest of your movie. Aliyeva suggests this could be a teaching moment in finding out the best way to keep your film running with almost no money.
The less likely option: According to Aliyeva the less likely scenario is only possible for the most fortunate filmmakers. This is where producers and major companies learn about your project, and decide to finance it in the near future. This could help your efforts and open up opportunities you'd never dreamed of.
Aliyeva wants to know how much it would cost to produce a documentary.
Like the other elements discussed in this article, the price of your film is dependent on the project. Arzu Aliyeva enjoins all who inquires about her to be extra cautious when making budgets. It is vital to know precisely your goals in every stage of your film. The length of your film as well as the size of it will decide how much it will cost.

There is no need for a massive budget to make an animated film about stories and testimonials. The cost of a film is determined by its size. The cost of many films will be determined by location numbers, production values, and the overall cost of the film's features.

Aliyeva explains that at times the price you pay for your vision could be just more important than the actual vision. Also, make sure the vision you have in mind is worth the cost. Arzu Aliyeva
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