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After I had written probably the sixth or seventh draft of Conduct in Question, the first in The Osgoode Trilogy, I submitted the book a new publisher. Instead of receiving the usual "not for our list" letter, this publisher actually took the trouble of writing me a letter filled with [as it turned out] excellent advice.

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And so, how could I get my nose off the page and then determine the event? For me, such an undertaking was tantamount to climbing Mt. Olympus, but has been exactly where I needed to be-above function and looking down on all the intricacies of plot and character connections. Did all several parts come to a convincing cohesive whole for the reader as apposed to me? Again, I think a painter or sculptor would a good easier job of this, simply because can physically get a completely new view. Nevertheless the writer has to get his distance through mental gymnastics. Some find that, if they put the manuscript in a drawer, to buy a month or two, produces achieve that perspective.

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