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Arzu Aliyeva: How to make the best documentary movie

The perplexing logistics aspect of creating a documentary is seldom taught by film students. Arzu Aliyeva, an Azerbaijani filmmaker, asked us a few questions. Aliyeva is well-known director as well as documentary producer, who has had to face numerous logistical difficulties when working on her projects. Aliyeva has been behind scenes of documentaries such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will examine and discuss the "behind-the scenes" aspects of documentary filmmaking.

The steps of documentary film production
Filmmaking is different from other analytical fields like finance or accounting. Arzu Aliyeva affirms that every step of filmmaking follows the vision which they've set out as director. She claims that no film is the same as its predecessor. This is similar to snowflakes.

However, every film starts by completing "pre-production." This means that prior to the camera starts rolling, the filmmaker needs to have a good idea of how the film will look.

If you've a clear knowledge of the background to the film, it's time to plan it. Aliyeva claims that planning is a common word that has a deep meaning. This includes planning your budget, creating outline of your interview, shot lists, budgeting, and scheduling. All of this should be accomplished bybefore the camera is turned on.

Once you've made it to the production stage , it's time to put the preparation you've made into practice. Aliyeva reminds us that an important rule of thumb in film productions is that "Nothing ever goes as scheduled." https://www.hiboox.com/social-media-changed-poetry-arzu-aliyeva/ You may have prepared more effectively than a lawyer for any class action however, everything could change in practice. https://thehollynews.com/arzu-aliyeva-explains-what-the-role-of-a-producer-in-documentaries-is/ Aliyeva emphasizes the importance of making your film move along with it and not arguing against it.

It's time to move on to the post-production phase. When all the footage is captured, it's now time to consider what should be preserved. Aliyeva says the majority of it is left on the floor of the editing room.

Did you finish your movie? Great! Now it's time to make it accessible to the general public. According to Arzu Aliyeva, Distribution is not often taught to filmmakers. Unless you are big-budget epics documentary films don't have the same demand as feature movies. It is possible to promote it online or even try it with the major companies.

Arzu Aliyeva's most Essential Equipment in a documentary
When asked, Aliyeva humorously says that everything starts with cameras. Documentaries require two essential elements, regardless size or budget. The film should be seen and the audience must hear it. It is essential to use the best camera possible and audio aids that enable viewers to understand what you presented to them.

After you've done, there's plenty of equipment for filmmaking that can help you in communicating your message. It is dependent on the kind of documentary you're creating. A quality lighting system is necessary for making a documentary that is based only on archive footage or interviews. Cameras and audio stability device are vital if you plan to make a movie which includes lots of outdoors shooting.

Aliyeva stated that every project is distinct and equipment can be utilized interchangeably. Thinking about equipment is a critical element of budgeting in your pre-production phase.

Arzu Aliyeva What is the standard amount of time required to create a documentary?

Arzu Aliyeva states that there is no set length for a particular project. The duration of projects can vary from months to finish, or years. Aliyeva asserts that it is focused on the subject matter and your love for it. Since documentaries are often concerned with social issues that are important, the movie is able to follow them as they develop in real time. The filmmaker might enter a project thinking it will take months to complete, but the reality may swiftly make it a few years.

Budgets can affect how long or short your movie runs. Unexpected changes may occur to your budget when you're in the pre-production or production phases. Aliyeva breaks it down into two main scenarios:

The least likely option. You probably ate too excessively and spent too little money on production during the early stages. Arzu Aliyeva This leaves you with little or no money to spend on the rest of your film. Aliyeva mentioned that this could be a good lesson on how you can keep your film going with very little money.
The less probable one: According to Aliyeva the least likely scenario is only available to the most fortunate filmmakers. These are the areas where large companies and producers review your work and decide whether to fund the project in the near future. This can boost your efforts and open up possibilities that you'd never imagined.
Aliyeva asks how much it would cost to produce documentary.
In addition to the other components mentioned in the article , price of your film can also be highly project-dependent. Arzu Aliyeva Arzu Aliyeva Arzu Aliyeva urges everyone who asks her to be extra cautious when planning your budget. It is essential to comprehend your goals at each step of the production process. https://www.behance.net/arzueliyeva The length of your film as well as its size will determine the amount it will cost.

If you create a film with a focus on testimonials and stories There is no need for a large budget. The more costly the film, the higher its cost. The price of many movies is ultimately determined by location numbers, production values, and the overall cost of the film's features.

Aliyeva explains that at times the price you pay for your vision can be more important than the vision itself. Be sure that your vision is worthy of the expense.
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