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<h1>Here Are 10 Brilliant Korean Films And Tv Series To Watch On Netflix Uk Once You've Finished Squid Game</h1>
Latest Korean original, set for release later this month, sees a group students fight for survival as a horde of zombies invade their school. 인플루언서블로그 revealed that Squid Game, which became there most-watched series ever, was watched by mostly overseas viewers, who went on to explore other Korean content. Riew’s “Shimcheong” has been in the works for about a year and a half, beginning with a literal “dive” into Korean folk tales. The original Shimcheong tale or “The Blind Man’s Daughter” is about a young woman who sacrifices everything in exchange so her blind father can see. When festival darling Eliza Hittman returned with this astounding story of a teenager’s journey out of state for an abortion, it received a Special Jury Award for neo-realism. Played with laconic determination by newcomer Sidney Flanigan, she proves to be a steadfast hero in a cruel world.

After almost six years, Chinese theatres are set to screen a Korean movie this Friday, ending a boycott imposed by Beijing on films from the Asian nation. Additionally, people can see the drama Dance Town, period war flick The Front Line, thriller Poongsan, hard-boiled action movie Die Bad and many more. Korea has a great reputation for thrillers and horror, but My Sassy Girl proved they can do levity pretty well too.

Based on Bernard Cornwell’s historical novels, The Saxon Stories, the series follows the story of orphaned son of a Saxon nobleman. Cast, crew, horses and equipment made their way down to the beach as Easter holiday makers had front row seats for the filming. In 2016 Tredegar House became the location for the British Army’s World War One base in northern France, for the filming of Journey's End. For two days in November, the parkland and stables became the bustling location for tents, marquees, military vehicles, horses and around 100 supporting actors. Those with a keen eye might spot that the Stable Hall was transformed into a General’s Office.

Lee Jang-ho’s sensational debut introduced his sardonic experimental style and focus on socially relevant cinema, through the story of a woman who turns to alcoholism after suffering a torrent of emotional and physical abuse from men. ” Heo Jin-suk, the titular protagonist of Hong Eun-won’s first film – and only the second Korean feature by a woman director – is defending her mother-in-law who has confessed to murder, but she could be speaking for all women’s rights. With masterful cinematography throughout, as well as a truly impressive corridor fight sequence shot in one continuous take, Oldboy rightfully remains at the forefront for fans of South Korean film. Another gem from Oldboy director Chan-wook Park, The Handmaiden is, without exaggeration, one of the finest films ever made. The plot involves a con man who looks to the advice of a skilled pickpocket in order to cheat and seduce a Japanese woman out of her inheritance.

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The two begin an affair and eventually become children of the night together. Yeon-su is a high-school student and the only daughter of Joon-hee, a well-known plastic surgeon. Joon-hee’s patients are Yeon-su’s classmates, and at first yeon-su enjoys the attention and popularity that her mother’s work affords her. However, when the girls begin to die through apparent suicides, slashing their own faces open, Yeon-su must uncover a dark family secret with horrifying implications. In an over-saturated genre, Train to Busan differentiates itself from its recent competition by creating a zombie narrative that forefronts the victims rather than the shamblers. With a combination of incredible casting and astounding action choreography, Train to Busan outclasses its zombie movie peers at nearly every turn.

The film used relative unknowns to heighten the realism, and gains some relevance points by examining internet fame and the lengths that some will go to to attain it. The latest film from the Snowpiercer director has already made over $100 million outside its home country and that's before the inevitable boost that its Oscar win will give it, bringing both Bong and the films of his native South Korea to a whole new audience. A British television series, The Last Kingdom was mostly recreated in the countryside surrounding Budapest, Hungary but some of the coastal scenes were shot on our very own Whistling Sands in Llŷn Peninsula.

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However, things take a turn when she develops a relationship with the handmaiden he enlisted to help. This season has been programmed by Watershed staff member, independent film blogger and programmer, Sven de Hondt, who will also be introducing all of the films. The pack reveals the emphasis in current research on the central themes of gender and nation and on the stylistic and representational strategies that articulate those paired themes in South Korean national cinema. This is an essential addition to libraries and a major scholarly resource for researchers involved in the study of South Korean film. This three-volume reference collection represents three distinct phases in the development of South Korean national cinema.

After years of confinement he is abruptly released, with his captor offering no explanation for his imprisonment, nor his subsequent freedom. With Korean filmmakers having been stifled by years of censorship under colonisers and dictatorships, it was only following the Gwangju Uprising in the 1980s that the industry was truly allowed to flourish into the powerhouse that it is today. The Motion Picture Law that had previously limited the number of films permitted to be produced in the region was revised, allowing independent films to be created and making way for a new generation of filmmakers. Korean movies have a rich and intricate history, spanning from their inception with The Righteous Revenge through to 100 years later with the awards season dominating Parasite .

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Today , the streaming giant teased over 20 new Korean titles due out in 2022, including dramas, variety shows and movies. Among these is the highly anticipated apocalyptic zombie series All Of Us Are Dead, which will be the first to make its premiere on January 28. There's been criticism that this year's Golden Globes wouldn't consider Minari in the best drama film category because the dialogue isn't primarily in English. Korea was divided after the Second World War when the Japanese were driven out.

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The highly charged atmosphere and restless energy amongst volunteers are palpable in the attentive documentation of the arrival and opening of ballot boxes in the public eye. As the counting begins the footage is coupled with another frame, shot with a thermal imaging camera, unveiling the unseen layer of an already transparent process. This programme showcases three works Scriptures of Wind , Now, Curiosity about the World andA Better World by Moojin Brothers. In these selected short films, the current working generation and their lives weighed down by the socio-economic climate in South Korea are portrayed through mythmaking and surreal topography of Seoul. The film is notable for an excellent British cast that includes Stanley Baker, Harry Andrews, George Baker, Robert Shaw, Percy Herbert and even a young Michael Caine in his first credited film role. "The fact that they've developed their own technology in computer graphics without any guidance from overseas is noteworthy and confirms that there's a possibility South Korean movies can succeed," said film critic Cho Hee-moon.

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Firstly, and perhaps most crucially, the first 25 minutes of the film had been shot – this is a great way for a director to prove their talent as a film maker rather than a snake oils salesman or someone with a great mouth for pitching but no real artistic flair. The star of the film Kim Jung-tae is a name that may not mean a lot to many not familiar with Korean films but those with knowledge of the industry will have been impressed with his presence in the lead role. The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea.

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Based on real events, Bong Joon-ho’s 2003 crime drama is set in 1986 and it features the collaboration between a small town cop and a high-profile detective. They put their heads together to make sense of an unprecedented amount of violence and death. The fourth film by one of the most talented directors in the world right now, this 2002 drama explores the universal through the intimate like most Hong Sang-soo works. The film investigates the romantic choices of an actor but in doing so, it becomes an examination of art and experience.

It is the only foreign-language film to ever win Best Picture at the Oscars. Director Bong Joon-ho attends the press conference on February 19, 2020 in Seoul, South Korea. Spectators wait to buy movie tickets at a Seoul cinema, South Korea on Sunday, August 13, 2006. Bong Joon-Ho attends press conference of Korean movie 'Parasite' at CGV Yongsan theater on May 28, 2019 in Seoul, South Korea. Squid Game series logo displayed on a phone screen and Netflix website displayed on a laptop screen are seen in this illustration photo taken in... North Korean woman looking a movie poster with a military man on the phone, Pyongan Province, Pyongyang, North Korea on April 21, 2008 in Pyongyang,...

Now in its ground-breaking 16th edition, the London Korean Film Festival celebrates the global success of Korean cinema with a special focus on the extraordinary career of recent Oscar winner Youn Yuh-jung. Over the years, the festival has introduced premiere screenings of major blockbusters to UK cinema screens while also incorporating the most engaging Indie hits, women’s voices, documentary, animation, shorts, classics and more within its diverse programme. A group of teens all of Korean descent but born and raised in other countries travel to Seoul for the summer to learn more about their cultural heritage. This spooky thriller sees a woman hit with a literal message from the past when she receives a phone call from someone claiming to be 20 years in the past. A serial killer, who's willing to put everything on the line in order to change their fate. This BAFTA-winning film follows the story of an heiress who catches the attention of a con man, who plans to charm her and take her fortune in the process.

The festival opens with the European premiere of Hide and Seek, a debut film from director Huh Jong that was a surprise hit when it opened in South Korea this August, in spite of its lack of high profile stars. It’s a creepy-sounding mystery in which two families begin to suspect, after the unexplained disappearance of one of the fathers, that strangers are living in their house with them. The Opening Gala will be presented by the film’s director and leading man, Son Hyun-joo. Borrowing only sparingly from Charles Perrault‘s fairy tale, Bong Man-dae‘s take on Cinderella is a cautionary paranormal parable about plastic surgery. Closer to a family drama than a straight horror film, Cinderella nonetheless contains some scenes of shudderingly unsettling body horror.


But the spectre of government censorship returned with a vengeance from the mid-1960s until the 1980s, leaving South Korean cinema in the wilderness as American movies began to encroach on the domestic market. The ‘love nest’ took a team of eight several days to construct, though it appears on screen for seconds, and neither Pierce Brosnan nor Halle Berry appeared at the location. This Thursday, the London Korean Film Festival returns for its eighth year, highlighting the latest in Korean cinema and a full slate of retrospectives over its two week duration. While Korean culture is unlikely to experience quite the boom it did in 2012 when, between the explosion of Gangnam Style and Kim Ki-duk’s win at the Venice Film Festival it was pretty much inescapable, its draw to foreign audiences is undeniable. The film slowly teases apart layers of familial trauma, guarding its shocking secrets closely until an explosive final act. The sense of mounting dread is expertly achieved, as the director introduces ambiguity and unreliable viewpoints to create paranoia and uncertainty.


Children are starting secondary school with a reading age of SIX as education experts warn of crisis in... "Train To Busan" has to be one of the finest horror films ever,' commented one fan. High school zombie drama All Of Us Are Dead is set to hit the streaming platform on January 28, and it's already being called the next Squid Game.

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The scene then shifts to show thousands of civilian refugees fleeing the fighting on boats or in makeshift settlements. South Korea’s first zombie movie is delirious fun, mixing elements of classic zombie horrors with Snowpiercer survivalism and great action sequences. People board the fast train from Seoul to Busan, unaware that a virus is spreading through the carriages, slaughtering those onboard.

The film focuses on the downward spiral and continuous cycle of vengeance as Kim succumbs to an attractive and transformative power beyond good and evil. It is here in the dark abyss where good men — through a lapse of judgement — turn into hollow monsters of themselves not so far removed from the ones they have sought to destroy. Take the high-school equivalents of Shin Su-won’s Pluto and the brutal animated film The King of Pigs from Train to Busan director, Yeon Sang-ho — two films that feel like they are all part of the same dark and twisted reality. Both Lee Byung-hun and Choi Min-sik deliver remarkable performances and despite it’s grim and explicit nature, you remain drawn in and unable to switch off.

If you're looking for some new films to get your teeth into, then Netflix has a whole bunch of options out there across a range of different genres. And if you've been loving some of the K-dramas that Netflix currently has to offer , then you'll love all the different K-movies available to watch too. The movie, a biting satire taking a skewered look at societal inequality in Seoul, took the viewer into totally unexpected territory, making for one of the most unique cinema experiences of recent times.



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