Notes

Umiejętności Wygodne I Odporne - Lista Z Przykładami. Jak Je Wpisać W CV?
And all that is achieved without a single tube in the circuit. The thing is that ViDA, not being a hybrid design, combines the many qualities of solid-states and tube designs. This is absolutely not about drowning a listener with a tones of carved details, which may seem impressive at first, but in the long run it is unacceptable, it wears listener down. OK, Tenor, at least that’s how I remember it, is unmatched in terms of overall power, bass slam and control, as well as in terms of differentiation of low tones - so I'm uwag saying that the tested Japanese device can quite match it. „The electric turntable - as most devices - is not devoid of structural defects. It is necessary to consider the role of the Church in helping people with suicidal tendencies, and the most effective use of the potential of Catholicism to prevent self-destructive behaviour.

I could hear it clearly on the Audio Cave’s release of the Oleś Brothers Spirit of Nadir (then freshly purchased). After 1989, that is after the political change in Poland, everything "crumbled down" and one could get the impression that it this part of the industry is gone for good (more in: Subjective history of Polish turntables), and that no valuable turntable would ever be developed in Poland again. Aurorasound ViDA is one of those phono preamplifiers that do everything right, and most things even exceptionally well. Since most of the information regarding the design has already appeared in the text let me in this section only add short information about the solution that distinguishes ViDA from the majority of phonostages currently produced around the world. The VIDA preamplifier was assessed in my system, where it competed with ESE Lab Nibiru V5 and GrandiNote Celio mk IV phonostages. GrandiNote Shinai Class A integrated amplifier drove speakers of the same brand, the MACH4. It looked comical, but it sounded so good that I got rid of all doubts, and the work spun for good.

All these cymbals and other percussion instruments, although their general character was a touch dull (that’s how they were recorded and ViDA only conveyed that faithfully), sounded crisp and vivid with reverb travelling long distances in the open, airy space. In this large (at least in my ears) space, the sounds of various percussion instruments were beautifully suspended in the air and, interestingly, with this phonostage placement of sounds was equally precisely pinpointed in all three dimensions including the height, which is rarely the case. All these elements combined together created an incredibly atmospheric, immersive spectacle created with just bass and drums, and yet extremely rich, so much so that with each listening (and I did listen to this album several times over the course of this review) I was able to discover something new. The tested device also showed me clearly (but to be certain this album was followed with Isao Suzuki’s Aquamarine and Ray Brown’s Soular energy) that this double bass was not so powerful, it didn’t quite dig as deep as it did in the hands of Ray Brown, but I guess it just wasn’t supposed to sound like that on the Spirit of Nadir. The reality turns out to be much more complicated, which is why there are not that many audio manufacturers who offer good, high quality turntables and just any 'turntables'.

And last but not least, there is this already mentioned, largest, colorful, illuminated button located in the upper front corner, i.e. There is an openness and vividness of the treble, full, colorful, lively, engaging midrange and strong, deep, tight, energetic bass and all of that is served in a very coherent, engaging way. And all this at a much lower price! This is one of the few cases when Oraz do not intend to build a suspense, because everyone who will have an opportunity to listen to ViDA will quickly realize the same thing - the bar is set VERY HIGH. Which does not change rozprawka that it would be really hard to point out any weakness of ViDA in the lower part of the band, which in turn allows one to completely focus on music while totally forgetting about the sound. Here, every detail, every subtlety is to serve the fullest possible presentation of a coherent whole, although at the same time you can reach for them without much effort if you want to focus on the selected musician/instrument.

Some of them can be removed completely by introducing improvements or compensating mechanisms. Three completely different albums in almost every respect. Isao Suzuki and Ray Brown's albums have shown that it is up to the artist, recording and production quality dependent how the double bass sounds like with ViDA. If we assume that the cartridges and preamplifiers are a separate field of knowledge, it is enough to rotate a record with accurate speed and hang the cartridge so that it operates in optimal conditions. The last toggle switch described as Cart Degauss can be used to demagnetize the cartridge (which is recommended once every few months). After several months of testing, a 14-inch monster was developed armed with the Audio-Technica AT440 MLB cartridge, and I used an old, simple Pro-Ject turntable for testing. Today I can say it with certainty that the BennyAudio turntable is what I dreamed about. Each of them was different, even the same Ray Brown (whether it was also the same double bass - I don't know) sounds different depending on the album.



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