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Arzu Aliyeva: How do you create the top documentary movies?

Cinema students are taught how to make a documentary film but they are not taught the emotional and logistical aspects. Arzu Aliyeva, an Azerbaijani filmmaker, asked us a few questions. Aliyeva, known as a documentary director and producer, has seen plenty of logistical obstacles in her projects. Aliyeva worked behind the director's seat in films like Son Iclas" and "Objective: Baku. The Nazis' War on Oil".

This article will analyze and dissect the different "behind the scenes" aspects of documentary filmmaking.

The phases of documentary film production
Filmmaking is different from other analytical fields such as finance or accounting. Arzu Aliyeva claims that each step in filmmaking follows their concept, which they've laid out as director. She states that no production is the same as its predecessor, similar to snowflakes.

However, productions always begin by "preproduction." It simply means that the director must have a good idea of what their film should look like before the camera is able to begin rolling.

Now is the time to begin planning your movie. Planning is, naturally, a small word with significance behind it, Says Aliyeva. It means building your budget, creating shooting lists, interview outline, working out the budget, and creating your schedule. All of this needs to be completed before turning on the camera.

Once you've made it to the stage of production , it's time to put all your preparation into action. Arzu Aliyeva Aliyeva reminds us that the unwritten rule for film productions is that "Nothing can ever go as expected." You may have prepared more effectively than a lawyer in the class action lawsuit However, things could alter in the course of your work. Aliyeva stresses the importance of following the direction of your movie and not fighting it.

When the production is complete then it's time to move on to the post-production process. Once all the material is captured, it's now time to consider what you want to keep. Aliyeva explained that the majority of it would remain in the editing room.

Did you finish your movie? Great! Now is the time to show it to the world. According to Arzu Aliyeva, distribution isn't taught to filmmakers in the same way. If they're not epics with large budgets, documentary films don't have as much demand. You can promote it on the web or with large businesses.

Arzu Aliyeva's most Essential Equipment in a documentary
Aliyeva laughs when asked if the entire process begins with a camcorder. Two important elements are necessary to make a documentary, regardless of its size and budget. The film needs to be seen and heard. That means investing in the top camera you can buy as well as audio aids to help people listen to the footage you've presented them.

Once that is settled after that, there are other tools for filmmaking that can assist in communicating your message. It all depends on the kind of documentary you're creating. If you're creating the documentary solely from interviews or archive footage, it'd be advantageous having a great lighting. A camera and audio stability device are crucial if you intend to create a film that involves a lot of outdoors shooting.

Arzu Aliyeva Aliyeva stated that every project is unique , and the equipment is able to be used interchangeably. Equipment is a significant part of your budget during the pre-production phase.

Arzu Aliyeva What is the longest time to produce a documentary.

Arzu Aliyeva claims that there isn't a set length for a particular project. Some projects may take several months, while others could take months. Arzu Aliyeva Aliyeva says that it's all about the subject and your passion. Because documentaries usually deal with social issues that are important, the movie is able to follow them when they take place in reality. Filmmakers can enter the project believing it will take him several months, but the reality could swiftly extend the time to several years.

The budget is yet another element which can impact the length or length of your movie. In the pre-production or production phases, some unexpected changes in your budget can occur. Aliyeva splits it into two scenarios.

The less likely version. You probably ate too many calories and spent too little money on production during the early stages. Thus, leaving you very little or no funds for the rest of your movie. Aliyeva believes this can be a great learning opportunity for you in terms of how you can keep your film alive , even though you have just a little cash.
The less likely one:The less likely scenario can happen only to the luckiest of filmmakers, according to Aliyeva. These are the places that producers and large corporations review your work and decide whether or not to fund the project in the future. This could be a massive boost for your efforts and give you opportunities you may have never imagined.
How much will it cost for a documentary to be made according to Aliyeva
The cost of your movie as well as the other elements in this post, is largely dependent on the project. Arzu Aliyeva advises anyone who wants her to be very prudent when determining her budget. It is essential to know precisely your goals in every movie stage. The length of your film and the size will determine the price of your film.

A film made from stories and testimonials does not require a huge budget. The bigger the film, the more the cost. Arzu Aliyeva The cost of many movies is ultimately determined by location numbers, production value and the total expenditure on the film's main features.

Aliyeva says sometimes, the cost is what defines your vision. Also, make sure the vision justifies your costs.
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