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Arzu Aliyeva: How do you create the most effective documentary movies?

When cinema students learn to create a documentary they're not taught about the haunting logistical part. Arzu Aliyeva who is an Azerbaijani filmmaker, has asked us a few questions. Aliyeva is well-known filmmaker as well as documentary producer, who has had to face numerous logistical hurdles during her projects. Aliyeva was behind the filming of projects such as "Son Iclas" (and "Objective Baku). Hitler's War on Oil

This article will examine and analyze various aspects of documentary filmmaking.

The film production process
Filmmaking is not like other analytical fields like finance or accounting. Arzu Aliyeva affirms that every step of the production of a documentary is guided by their concept that they have set forth as a director. She explained that each film is unique from the one before it.

Arzu Aliyeva However, productions always begin with "preproduction." This simply means that the director must have a solid idea of what his film should look like before the camera is able to begin rolling.

Once you've got an understanding of the story behind the film, you're ready to make plans. Aliyeva says that"planning" is a small word, but it is a word with a lot of significance. This is a good way to plan your budget, making list of shots, outline for interviews, budgeting, and scheduling. All of these should be accomplished bybefore the camera is turned on.

When you're at the production stage , it is time for all the preparation to be put into practice. Aliyeva reminds us of an unwritten rule for film productions is that "Nothing ever goes as expected." You could have done better than a lawyer in any class action however, everything could shift in the context of the case. Aliyeva emphasizes the importance of moving along with the film and not fighting it.

Once the production has been completed, it's time to move on to the post-production phase. After you've shot all the material and are ready to decide what's worth saving. Aliyeva states that most of it is left on the floor of the editing room.

Did you finish your movie? Great! Now is the time to show it to people. Arzu Aliyeva According to Arzu Aliyeva, distribution is not often taught to filmmakers. Documentaries don't have the same appeal as feature films unless they're epics with big budgets. It is possible to promote them on the internet or collaborate with big firms.

Arzu Aliyeva's most Essential Equipment in a documentary
If asked, Aliyeva jokes says that everything starts with a camera. Two crucial elements are essential to make a documentary, regardless of the size or budget. The film has to be seen and heard. You should have the highest quality camera as well as audio aids that allow people to hear what you just showed them.

After that, there are many other filmmaking tools that will assist in communicating your message. It will all depend on the type of documentary you're creating. Arzu Aliyeva If you're making the documentary solely from interviews or archive footage, it'd be advantageous to have a good lighting. Cameras as well as audio stability devices are vital if you plan to make a movie that includes a lot outdoors shooting.

Aliyeva says that it's highly individual and interchangeable according to what kind of project you're planning to develop. Equipment is an essential part of your budget during the phase prior to production.

What is the standard duration for making a documentary?

Arzu Aliyeva claims that there is no set length for a particular project. The duration of projects can vary from months to complete, and even years. Aliyeva claims it's all about the topic and your love for it. Since documentaries are often concerned with important social issues, the movie is able to follow the events when they take place in reality. A filmmaker may enter an idea thinking it will take him several months to complete, but the reality may swiftly extend the time to several years.

The budget is another factor that can affect the length of or shortening your movie. Unexpected adjustments can occur in your budget when you're in the pre-production or production stages. Aliyeva breaks the situation down into two primary scenarios.

The least likely option. You probably ate too often and spent a lot of money on production during the early stages. It leaves you with almost no money left to invest in the remainder of your movie. Arzu Aliyeva https://soundcloud.com/arzu-aliyeva-3 Aliyeva suggests this could be a teaching moment in the best way to maintain your film with almost no money.
The less likely scenario:The less likely scenario will only occur to the luckiest of filmmakers, according to Aliyeva. This is the time when large companies and producers hear about the project and decide to fund your film in the future. Arzu Aliyeva This could boost your efforts and open up doors you never imagined.
Aliyeva wonders what it will cost to create documentary.
Arzu Aliyeva Arzu Aliyeva The cost of your movie as with other components mentioned in this article, is dependent on the project. Arzu Aliyeva suggests to anyone who asks that she be wary of budgeting. It is essential to know precisely what you are looking for in each film stage. The length of your film and the size of it will ultimately determine the price your film will cost.

A film that is based on stories and testimonials doesn't require a large budget. The cost of a film is determined by its size. Location numbers, production values and the overall investment in the film's features all play a part in determining the price of films.

Aliyeva says that sometimes the cost can define your goals. Arzu Aliyeva You need to ensure that your vision does not outweigh your expenses.
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