Notes

Anatolian Rug
Medallion Ushak carpets with their curvilinear patterns significantly depart from the designs of earlier Turkish carpets. These carpets from the Anatolian Seljuq Period (1243–1302) are regarded as the first group of Anatolian rugs. The earliest surviving woven rugs were found in Konya, Beyşehir and Fostat, and were dated to the 13th century.
The history of these remarkably well-made, handwoven rugs are based on the weaving tradition that the Turks who migrated from Central Asia to Anatolia brought with them from their homeland. With its various types such as one of its flat weavings kilim to hand-knotted rugs, these pieces turned into an industry and became the cultural symbol of Turkey in a short time. In these excavations, the oldest type of The Most ancient Anatolian Rug by wool, goat hair and linen similar to sumac, cicim and kilim woven with techniques similar to today's flatweavings were found. One of the most popular designs in Anatolian rugs is the abstract design. You already know that there are multiple designs available in Anatolian rugs, but what exactly are they? Anatolian rugs have a lot of stories to tell, and they do so with patterns and weaving magic into the design of the rug.
The majority of Transylvanian double-niche rugs are characterized by more heavily stylized corner pieces which are best described as spandrels to a niche, as the separation of the two corner medallions is no longer visible. The corpus of Transylvanian rugs constitutes one of the largest collections of Ottoman Anatolian rugs outside the Islamic world. Woven for the most part by women, the motifs of these carpets symbolise concepts like fertility, health, sin, death, rebirth, the evil eye, and infinity. Their designs are primarily symmetric, but even when asymmetric, a balance is maintained between filled and empty areas. Carpets have been woven for centuries in the towns of Maden, Kemerhisar, Adurmusun and Fertek in Nigde.
Each rug is a one-of-a-kind expression of craft, culture, and history—ready to bring depth and authenticity into your home. Position your rug to showcase its borders and repeating motifs, and rotate occasionally to maintain even wear and preserve its soft, time-earned surface. Echo accent colors from the rug in pillows, throws, or wall art to create a cohesive look. Vintage pieces display beautiful abrash from natural dyes, subtle irregularities from hand-weaving, and softened surfaces developed over decades.
This is why Anatolian rugs are so beautiful because the history of this region and the specialties of this small area is captured beautifully in between each weave of the rug. Anatolian rugs originate from this very place on the planet. Vintage Anatolian rugs are sought-after by a lot of people and the quality speaks for itself. Anatolian rugs are timeless and they’re used everywhere today. Anatolian rugs are made out of various materials, and you can get them today in a mix of contemporary and classic which is just out of this world. They have amazing colors, eclectic designs, and an overall appeal that just doesn’t get old, no matter what.
Slow Made Textile is a former small fisherman’s village near Istanbul and genuine Hereke Carpets and rugs are knotted in this small town. Ghiordes (Gördes) is a town in western Anatolia known for prayer rugs. Bandirma (fomerly Panderma) is a town in Turkey on the southern shore of the Sea of Marmora, usually inmitating Ghiordes prayer rugs. Ushak rugs have been woven in Ushak since the 15th century. The rugs produced in this region are renowned for their intricate designs and craftsmanship, often reflecting a blend of cultural influences. Sarkisla rugs are often recognized for their intricate designs and vibrant colors, crafted with fine skill.
This eductaional gallery includes Ladik prayer rugs from the 17th-19th centuries. These rugs often feature intricate designs and vibrant colors, reflecting the artistic heritage of the region. These rugs often feature intricate designs inspired by historical motifs, such as medallions, cypress trees, and Persian Safavid influences. Find examples of Karakeceli carpets in this photo gallery. This educational gallery includes Ghiordes prayer rugs from the 16th-19th centuries. Anatolia, the Asiatic part of Turkey, has a long and rich history of carpet and rug weaving, a tradition that dates back to at least the 13th century.
These rugs are robust, colorful, and ideal for daily traffic. Uşak rugs are famous for their large format, aesthetic patterns that historically graced European castles. The oldest known carpet in the world, the Pazyryk Carpet (approx. 5th century BC), is still preserved in the Hermitage Museum. People often say rugs are “old,” but the timeline here is staggering. If you buy a hand knotted carpet in Turkey today, you aren’t just buying decor; you are acquiring a piece of a dying industry. Stop looking at rugs as just floor coverings for a moment.
Kilims are flat-woven, using slit tapestry technique that produces sharp color transitions and lightweight fabric. With the Ottoman expansion, weaving became both a domestic craft and a state-supported industry. To collect, conserve, or simply live with these woven ecologies is to participate in a continuum—a dialogue stretching from the Bronze Age plains of Konya to the archived vaults of today’s museums and auction houses.
Silk carpeting requires a lot of handcrafting, especially since the threads are very thin. The world's best quality silk is produced in Bursa and its region in Turkey. The text used in the weaving of history also gives information about the origin of the weaver. In terms of height, each node counts as a knot, but when viewed in width, only 90-degree stacks count. For counting, a measurement of 10 cm is taken from the bottom of the carpet in width and length.
Pile woven carpets from Anatolian manufacturers were part of the merchandise, and were traded in large numbers. The medallion corners are decorated with interlacing arabesques resembling similar design types known from "double niche" Ushak carpets, but with a slightly stiffer design. In Transylvania, the first references to this design type date from around 1620, and the earliest carpets of this type with inscriptions are dated between 1661 and 1675. The similarities of the design with their Anatolian counterparts has led to the attribution of specific Transylvanian carpets to more specific Anatolian proveniences like Ghiordes or Melas. The term "Transylvanian rug" more specifically refers to four distinct types of Anatolian carpets which have survived in Transylvania.
Ziegler from Brașov demonstrated that, in contrast to previous opinion, Ottoman rugs were not on permanent display in the Black Church. In contrast, the term "prayer rug" or any relation to the religious significance of these goods was never found in Transylvanian sources, as yet. Referring to a fatwa by the Şeyhülislam, the sultan banned the sale of rugs "with depictions of mihrab, kaaba or hat (calligraphy)" to non-Muslims. The Transylvanian Saxons referred to them as "Kirchenteppiche" ("church rugs"). Contracts specify that the rugs were hung on the walls of private homes for decoration. It has been estimated that from 1500 to 1700 over one thousand rugs were used as gifts from the municipality of Brașov alone.
From the mid-15th century onwards, the number of Ottoman merchants, called saracenos (Saracens) in the Braşov documents, steadily increased. By the middle of the 14th century, the Hungarian kings Louis I of Hungary and Sigismund had agreed on commercial treaties with the Republic of Genoa. Due to its geographical position, Transylvania was an important trade center between East and West during the 15th–17th century. In later examples, the architectural elements undergo a process of stylization and change into decorative elements like floral bands or scrolls. In some pieces, the addition of a transverse panel accentuates the impression of a directional design.
Cotton is stronger than wool, and, when used for the foundation, makes a carpet lie flat on the ground, as it is not as easily distorted as woolen strings. Cotton is used primarily in the foundation, the warps and wefts of rugs. Sheep's wool is the most frequently used pile material in a Turkish rug because it is soft, durable, easy to work with and not too expensive. The most common materials used for the pile are wool, silk and cotton. In traditional households, women and girls take up carpet and kilim weaving as a hobby as well as a means of earning money. A weaving workshop was established in 1843 in Hereke that supplied the royal palaces with silk brocades and other textiles.
Kars, a city in northeastern Turkey near the Armenian border, is known for its traditional rug weaving. Holbein rugs are taking their name from Hans Holbein the Younger, due to their depiction in European Renaissance paintings. Anatolian Filikli rugs are shaggy rugs made of unspun long curly hair from Angora goats. East Anatolian rugs are most often made by Kurdish weavers in these eastern areas of Turkey. Crivelli rugs are named after the Venetian renaissance painter Carlo Crivelli.
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