Notes

Get This Report about Why do most A24 movies have the same visual style? - Reddit


<h1 style="clear:both" id="content-section-0">The Facts About Netflix Is Quietly Adding A24 Movies As They Leave Amazon Revealed<br></h1>
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<p class="p__0">Barry Jenkins' Moonlight won Finest Photo in 2017, showing A24 has actually got their finger on the cultural pulse (with credit to the Academy too, naturally). On Check Here For More , leaning into directorial debuts has paid off dividends, in the type of Greta Gerwig's Girl Bird, Alex Garland's Ex Machina, Robert Eggers' The Witch, and Ari Aster's Genetic.</p>
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<img width="486" src="https://l-files.livejournal.net/og_image/3616053/457684?v=1581622984">
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<p class="p__1">Simply as the film is being offered up to the Tomatometer gods, come take a dance around the maypole with us as we rank every A24 motion picture! # 85 Adjusted Score: 11419% Critics Agreement: # 84 Adjusted Rating: 18685% Critics Consensus: Dull, maudlin, and essentially empty, The Sea of Trees extinguishes the contributions of a gifted cast and marks a dismal low point in director Gus Van Sant's career.</p>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://d135u4jtzauizi.cloudfront.net/_thumbnail/Saint-Maud-Still_01-2_Edited.jpg" alt="A24 Posters - Redbubble"><span style="display:none" itemprop="caption">A24 Movies - Studio/Distributor Database of Films</span>
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<p class="p__2"># 82 Adjusted Score: 15378% Critics Agreement: # 81 Adjusted Score: 22807% Critics Consensus: Stylistically overwrought and tedious, The Adderal Diaries aims for profundity but rather seems like a shambolic class job thrown together right before it was due. # 80 Adjusted Score: 17072% Critics Consensus: # 79 Adjusted Score: 26178% Critics Agreement: Dark Places has a strong cast and bestselling source material, however none of it includes up to more than a mediocre thriller that gets tripped up on its own twists.</p>
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<iframe src="https://youtu.be/f7eKwQQptIU" width="560" height="315" frameborder="0" allowfullscreen></iframe>
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<p class="p__3"># 77 Adjusted Rating: 25783% Critics Consensus: # 76 Adjusted Score: 30915% Critics Agreement: Wan and lugubrious, The Slave represents another climatic, perfectly shot misfire from director Atom Egoyan. # 75 Adjusted Rating: 33615% Critics Consensus: Mojave has no lack of talent on either side of the electronic camera; unfortunately, it amounts to little bit more than a frustrating missed out on chance.</p>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://www.indiewire.com/wp-content/uploads/2018/03/screen-shot-2018-03-28-at-10-59-04-am1.png?w=767" alt="A24 Films - Chicago Public Library - BiblioCommons"><span style="display:none" itemprop="caption">A24: See All of the Distributor's Dynamic Posters - IndieWire</span>
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<h1 style="clear:both" id="content-section-1">Get This Report on The Little Movie Studio That Could - The New York Times<br></h1>
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<p class="p__4"># 73 Adjusted Score: 38338% Critics Consensus: Equals is a reward for the eyes, however its futuristic visual isn't enough to make up for its plodding pace and aimlessly acquired story. # 72 Adjusted Score: 37239% Critics Consensus: # 71 Adjusted Score: 43258% Critics Agreement: Hot Summer Nights is simple on the eyes and clearly indebted to some terrific movies, but its strengths-- including a charming young cast-- are frequently surpassed by its unimaginative story.</p>
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<p class="p__5"># 69 Adjusted Score: 51050% Critics Consensus: Tusk is happily outrageous and charmingly self-deprecating, however that isn't sufficient to make up for its thin, overstretched story. # 68 Adjusted Rating: 50906% Critics Agreement: How to Speak to Girls at Parties has energy and ambition, however is ultimately too unfocused to do much with either-- or develop its themes into a cohesive whole.</p>
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