Notes

The Of Big Band - iHeartRadio


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<h1 style="clear:both" id="content-section-0">The Buzz on PROGRESSIVE BIG BAND, a jazz music subgenre<br></h1>
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<p class="p__0">31 History [edit] Dance music [modify] Prior to 1910, social dance in America was controlled by actions such as the waltz and polka. As jazz migrated from its New Orleans origin to Chicago and New York City City, energetic, suggestive dances traveled with it. Throughout the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop.</p>
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<p class="p__1">Among the first bands to accompany the brand-new rhythms was led by a drummer, Art Hickman, in San Francisco in 1916. Hickman's arranger, Ferde Grof, wrote arrangements in which he divided the jazz orchestra into areas that integrated in various methods. This intermingling of areas became a defining characteristic of big bands.</p>
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<p class="p__2">Whiteman was informed in classical music, and he called his brand-new band's music symphonic jazz. This Website of dance bands marked an action far from New Orleans jazz. With the exception of Jelly Roll Morton, who continued playing in the New Orleans design, bandleaders paid attention to the need for dance music and created their own big bands.</p>
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<p class="p__3">Duke Ellington led his band at the Cotton Club in Harlem. Fletcher Henderson's profession started when he was convinced to audition for a task at Club Alabam in New York City City, which eventually developed into a task as bandleader at the Roseland Ballroom. At these venues, which themselves acquired prestige, bandleaders and arrangers played a greater role than they had before.</p>
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<h1 style="clear:both" id="content-section-1">The Definitive Guide for 600+ Free Big Band music playlists - 8tracks radio<br></h1>
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<p class="p__4">Henderson and arranger Don Redman followed the design template of King Oliver, but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band filled with talent: Coleman Hawkins on tenor saxophone, Louis Armstrong on cornet, and multi-instrumentalist Benny Carter, whose career lasted into the 1990s.</p>
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<p class="p__5">Walter Page is frequently credited with developing the walking bass, though earlier examples exist, such as Wellman Braud on Ellington's Washington Wabble from 1927. This kind of music thrived through the early 1930s, although there was little mass audience for it up until around 1936. Up till that time, it was seen with ridicule and considered as a curiosity.</p>
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