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Deconstructivist Architecture - An Overview
Deconstructivist Architecture attempts to overcome the limitations of traditional structuralism by providing a structure which is neither rigid nor simple. This style is believed to be the post-modern form and was first recognized in Barcelona, in the early 1970s. This style utilizes multiple perspectives and space. Deconstructivist Architecture employs a variety of architectural styles to achieve this, incorporating unconventional structures, like the cantilevered form and free-standing individual cubes. The primary components are arranged in such a way to form an "assemblage," with the supporting framework typically being a monolithic unit, and thus the traditional architectural forms are eliminated and the common ornamentation used in many forms of Deconstructivist Architecture.

Four architects from the Futurists group were involved in Deconstructivism's founding. These four architects were Paul Rudolph (Gero Picasso), Achille Lozano and Auguste Mucha. The concept of spontaneity is the origin of deconstructivism. In this philosophy the concept of a structure is thought to be as a "poison", as it is a structure that is designed to meet a specific goal.

Sometimes the style of Deconstructivist Architecture can be called "paradigm architecture." This movement was characterized by architects who took a radical individualistic approach to design of buildings and resisted the conventional conventions of architecture. Because it incorporates elements of social psychology and visual construction, deconstructivist architecture can often be described as a work of art. This is evident in the use of redundant patterns and symmetries as well as the use of playful repetitions or asymmetries. Mucha's preference for a single-room home was illustrated by the use of asymmetrical compositions. He believed architecture should be "deconstructed" and the resultant structure should become an "icon of the person's personality.


Deconstructivist architecture began to emerge in the latter half of the 20th century. A group of architects, led by Peter Eisenman (himself a former member of the Pre-Raphaelites) started an initiative to create an overall deterioration of traditional classical architectural ideals into something more radical. The movement was referred to as the "Deconstructionist Movement." Moiseuses Vallejo was the leader of this movement. ARCHITECT He was dissatisfied with the conservatism of his fellow French architects. Vallejo saw Deconstructivism to be the natural progression of architecture.

The movement was resisted by certain proponents of classicism. The most outspoken in their opposition to deconstruction were people like Le Corbusier, whose works were so elaborate that they seemed to suggest an intentional resistance to European style. Others, like Jean Paul Marais and Leo Tolstoy were of the view that Deconstructivist architecture as a blunder against the principles harmony and balance. The philosophy behind Deconstructivist architecture sought to defy the basic doctrines of classicism, especially its belief that form is the primary and solely independent component of any structure. By unifying the various elements of architecture--including ornamentation, color, and texture, and the manner in which these are combined--the Deconstructivist designers hoped to demonstrate the philosophical tenets of pluralistic philosophy.

It is easy to see both the influence of avant-garde architects and the Viennese constructivists if you look at early examples of Deconstructivist Architecture. Examples include those by Architrave P. Montag which is located in Saint Petersburg, Russia, which features a series spirals and concentric circles and which has been nicknamed "Pavlov's Ring". The Christening Castle, Eindhoven in the Netherlands is another example. It makes use of concrete and brick to suggest that breadcrumbs have fallen from heaven. In addition to these obvious influences, Deconstructivism also borrowed ideas from other artistic movements, including surrealism, cubism, and pre-modernism.

Today, deconstructivist architecture continues to gain acclaim due to its use of a variety of techniques to give viewers a variety of possible interpretations. This style can be seen in residential housing, educational facilities and office buildings as also in hotels and government structures. The most common element in modern buildings constructed with deconstructivist aesthetics is use of textured surfaces like brick pavers, metal roofing or concrete with a textured surface. Other strategies of Deconstructivist architecture include the use of multiple stories, and an abundance of rounded shapes. In order to fully comprehend the concept of deconstructive architecture it is important to gain an understanding of the different theories that are the basis of the concept.

The work of the most prolific practitioners of deconstructivist theory constitutes an integral component of the theory. These works can be located in a variety of cities across the United States. Two of these well-known architects, Frank Lloyd Wright and Le Corbusier were both regarded as "Formalists" by their fellow architects, whilevant garde architect Louis Sullivan was considered a Postmodernist. Frank Lloyd Wright's architecture, which focused on maximizing space by using overhanging roofs is often considered to be a Postmodern architectural style. Louis Sullivan, an architect who suffered from depression during the Great Depression, created what is now referred to as a Postmodern architectural style. This was based on resolving spaces by using circular forms and overhanging roof structures. Postmodernists were also hailed by a variety of architects who were among them Le Corbusier, Frank Lloyd Wright and Peter Eisenman (of Eisenman & Geller).

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