Notes

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A few weeks ago, they requested I write an article about one of the paintings by Hopper as well as the Nighthawks and I, being a good researcher, went to find out. Because it is known or at the very least, taught by experience, in order to appreciate a painting one must know its history and the painter, and most importantly the setting in which he painted it. https://streamingliveacademy.com/malding-meaning-the-twitch-term/ is surely an universal thing, that transcends time and space, making it accessible even after hundreds of years. The interpretations, however, change, along with how society and the world evolve and what used to be seen clearly, possibly decades ago, is now so obvious. What was never considered prior to now could be revealing our work in a different manner.

Re-defining a piece of work in the course of time
It's a little like what I imagine happens when you see Hopper's " Nighthawks" that was shut at the bar, late at night, in that window that resembles an aquarium, from the position of characters that are observed.

I believe that , in the painting Hopper wanted to give space to the viewer, allowing him to observe the silent tranquil, precise and serene scene that we are presented by the darkness.

The space, designed to be a place for active viewing could be the keystone that allows the work to change over time and consequently to be timeless, immortal and even contemporary.

The painting, made in 1942, isn't immediately linked to a specific date however it appears that its date can be altered depending on the changing viewers, based on the exact time at which the work is observed.

I believe this is what is essential to reading, the time and space occupied by the observer that Hopper wanted to create.

I'll explain.

In my research for information and news about Hopper's " Nighthawks" I was able to observe how many describe it by highlighting these elements:

"[...] the solitude, the feeling of emptyness of a world whose shimmering patina is beginning to fade. [...] The distinctly commercial element lies, the myths rip off their masks and show an unrealized reality, devoid of valid points of reference , immobilized by uncertainty and a lack of morality. "

The night and the transformation
I believe this interpretation is partial which means that it's a interpretation provided from the socio-cultural context as well as by the dating that is attributed to the work of The United States between the 40s and 50s, during the period of economic growth that was redefining the social and cultural assets in the lives of individuals in a society that was even a bit bourgeois, in which nightclubs are seen as places of isolation or despair.

It's a little true, but slightly not.


The first time I came across the painting without having studied it, it brought me happiness and peace with its vibrant contrast and nighttime stillness.

Maybe, coming from the midst of a huge, noisy and bustling city, night is one of the moments where I can enjoy the city more calmly there are fewer people and fewer vehicles, less noise, more spaces between the streets to make the most of, and which place to rest under the city's starless sky. Night has a completely different meaning for me from the people who drank in bars across The United States during the 40s When the sun sets down and the city is transformed into its appearance and the streets become more free and easy.

It is impossible to ignore the way society has changed in more than half a century of social and cultural changes. This is the case between Pop as well as Rock culture, between popular psychedelic scene as well as the decade 2000.


Personally, as a daughter in the 90s, I grew up also at night, and by growing up I'm referring to all the "formative" experiences that the night provided me with. For me , it's normal to go out in the evening usually walking through the streets, and on Saturdays , looking for the most memorable party, dancing until dawn, riding a motorbike or car to find the last bar that is open to get the bread or hot pizza or hot pizza, and then where to sip the last glass and light the last cigarette before dawn arrived. Perhaps from the 80s onwards, the night stopped frightening those who stayed at the house (let's take a look at the jazz movement, anti-prohibitionism and the Cursed Poets who were all great evening owls) and has since become the cradle where many personalities of the world find peace and comfort of other nightclubs.

Hopper's modern realist style
Today, Hopper's painting is reminiscent of many scenes of real day life. It makes me feel happy and, in all likelihood, sympathize with the final three characters, who exchange a chat while the bartender cleans the bar to close the bar and begin a new. People who are nocturnal seek peace in the silence of their nightly companions. They contemplate their lives, watching them through a glass and form a group of the night, accepting everyone and judging no one. It is no coincidence that in the most ancient ancestral civilizations such as the Indian one, the hour and a half before dawn is called Brahmamuhurta or the time of Brahma the most ideal time to devote oneself to meditation, prayer, study and introspection. This is the time of day when the energies are more acute, intense but of a calm, spiritual intensity.

There is no solitude nor absence in the painting of Hopper. I saw more of it in the gentrified streets of the night quarters, as even the right-thinking citizens began going out at night.

That's why even the oldest and most popular neighborhoods had to be transformed into consumer showcases; and the spontaneous aggregations of people who gathered in the square had to rearrange themselves in line waiting to be seated; and the music of the drums along the the street was silenced by police sirens. That scares me today that nighttime is shattered by its sacred timeless atmosphere, by its being an opportunity for aggregation of the lone wolves, and is now an additional uncovering tool of the system, demanding clarity and respectability even in the darkest parts within the cities.


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