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Toadies - Play Rock Music
Remember this band?... It seemed like the Toadies ruled the environment waves in the mid 90's, following your relieve Rubberneck in 1994. One song off that album, "Possum Kingdom," has even achieved somewhat cult status lately with new generations. Every song on that album was great, and then they just disappeared. Interscope records place the kabosh on their follow-up album "Feeler," which finally saw the light of day really.
One of what I always liked essentially the most concerning the Toadies was the dark undertones in their music. I have frequently heard the Toadies called "alt-rock," but they really defy most labels. Part grunge, part heavy drinking bar band, part west Texas/ZZ Top boogie, there's a lot to love concerning this band.
Well, find out from Fort Worth, Texas is back again. This time with .Music. The band has stated in interviews which they felt more freedom recording this record than any other, that's very good news for individuals, since the Toadies are best if they are unbridled and doing what they do best.
The album starts out with "Rattler's Revival," an incredible rockin' opener that made me very optimistic in regards to the remaining portion of the tracks. I was further rewarded using the next song, "Low." This is the best for the album, a loud guitar rocker that produces you want to push the pedal down while your driving. This song has pumping guitar and rock steady drumming that starts back and forth from bass line only breaks, to dual guitar down strumming. Songs about the album like "Magic Bullet" and "Epic Castles" maintain the tempo and up.
"Summer in the Strange" has that dark feel, which is about losing control/hold. Lots of whining guitar and rumbling bass lines throughout.
The closest you're able to "Possum Kingdom" on this release would have to be "Beside You." A creepy song which says although "you don't really know me," that "I'll always be closer than you already know."
"Sunshine" is really a twisted ballad, and another track that takes you returning to Rubberneck, this time around reminding me quite definitely of "I Burn." A slower tempo song which has a rumbling bass line that builds into Vaden Todd Lewis's trademark singing/screaming. The whole song keeps building and pulling back, like the New York Dolls classic "Frankenstein."
The song "Animals" is another classic sounding Toadies tune, about our primal human urge. It's another rocker that repeats "Tonight we're just two animals." Lots of tempo switches and a booming chorus.
"Laments of a Good Man" can be a less serious song that's filled with jerky guitar and call and response versus. The chorus switches into a Rollins Band type slow, driving groove... "It's so desperately to become man, to become good man."
Another style stick out is "We Burned the City Down." This track is often a real Texas blues/boogie track, detailed with slide guitar. The theme is often a nihilistic commentary current living, "no longer slaves to modern ways" we burned the city down...
The album ends while using slowest song (the one slow song... ) around the album, "The Appeal." At over six minutes, it is also the longest for the album. This track features some chorus effect guitar, plus a bluesy backbeat. But don't worry, there are many good build ups, nonetheless it never explains the very best such as the rest of the album. You almost require rest by the time you're able to this track.
At the conclusion of the day, this is an overall impressive release. .Music. might have easily been the follow-up to Rubberneck back in the 90's. I guess what I'm saying is this fact is often a Toadies album, a true one. Although it is 5th release, it can be IMHO by far the most vibrant and handle piece of work they have released since their debut. It's nice to experience a good good ole' album emerge, it seems like that seldom happens anymore.
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