Notes

IRLP - Internet Radio Linking Project Fundamentals Explained


<h1 style="clear:both" id="content-section-0">The Greatest Guide To Radio Licensing - ASCAP<br></h1>
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<p class="p__0">On the other hand, conventional radio broadcasters pay only releasing royalties and no efficiency royalties. A rancorous disagreement took place over how performance royalties must be evaluated for Internet broadcasters. Full Article said that royalty rates that were being proposed were overly troublesome and intended to disadvantage independent Internet-only stationsthat "while Web giants like AOL may have the ability to pay for the new rates, numerous smaller Web radio stations will need to shut down." The Digital Media Association (Di, MA) stated that even large companies, like Yahoo! Music, might stop working due to the proposed rates.</p>
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<p class="p__1">A lot of these critics arranged Save, Net, Radio. org, "a coalition of listeners, artists, labels and webcasters" that opposed the proposed royalty rates. To focus attention on the consequences of the approaching rate walking, numerous United States Internet broadcasters took part in a "Day of Silence" on June 26, 2007. On that day, they shut off their audio streams or streamed ambient sound, in some cases interspersed with brief public service announcements voiced, written and produced by popular voiceover artist Dave Solomon.</p>
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<p class="p__2">Some broadcasters did not get involved, such as Last. fm, which had just been purchased for US$ 280 million by CBS Music Group. According to a Last. fm employee, they were unable to participate since participation "may compromise continuous license negotiations." Sound, Exchange, representing supporters of the increase in royalty rates, mentioned that the rates were flat from 1998 through 2005 (see above), without being increased to show cost-of-living increases.</p>
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<h1 style="clear:both" id="content-section-1">Radiojar - Create your own online radio station for Dummies<br></h1>
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<p class="p__3">On May 1, 2007, Noise, Exchange concerned a contract with certain large webcasters regarding the minimum costs that were modified by the decision of the Copyright Royalty Board. While the CRB choice imposed a $500 per station or channel minimum cost for all webcasters, certain webcasters represented through Di, MA worked out a $50,000 "cap" on those fees with Sound, Exchange.</p>
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<p class="p__4">To be qualified, a webcaster needed to have revenues of less than US$ 1. 25 million a year and stream less than 5 million "listener hours" a month (or approximately 6830 concurrent listeners). These limitations would disqualify independent webcasters like Accu, Radio, Digitally Imported, Club977 and others from getting involved in the deal, and therefore many little commercial webcasters continue to work out a settlement with Noise, Exchange.</p>
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