Notes

A Review of Trent Et Quarante and Other translated Works (Part 2)
Intro to Trent Et Quarante: The Story of Blackmail. Roulette is a traditional casino game. It is easy to see the origin of the name "rougeet quarante", but it is also clear that the real source of the name "trenteet quarante", is equally obvious. In the year 1693, an English court handed down the first Roulette rules and it became popular in France in the same century.

It is unclear where this name "trentet qualle" originated, which literally translates to black and red cheek. Many people believe that it is derived from the French term "troit-et-quatre", which translates to "quick, trick". This could be possible because there are so many stories about the earliest origins of Roulette. One of these stories says that King Louis XIV of France had his nose pierced for some mysterious reasons and that he was always spotted wearing a black and red scarf, which some say was the symbol of royalty.

Here's another tale. A player receives an ace during the betting round. During the counting process, someone else looks at the cards and finds that the Ace has been turned over. A second player notices this and whispers to the stunned dealer that it was the Ace that was turned over. It goes on. It is safe to say that no one knows the true meanings of black and red cheek, but the Roulette System has survived.

All this brings us to where we are today. Roulette has been adapted into many different languages, including English, Dutch, Spanish, Italian, Chinese, and in most every other language known to man. This includes literature like H. G. Wells' The Adventure of Red Cross. One thing all these adaptations share is the story of how the game was corrupted. This article will tell the fascinating story of Roulette and show how it has grown to be one of the most beloved casino games in the world.

The tale begins in 16th century Spain, when the Spanish friar Father Hrubens established a school in what is now Mexico City. With the opening of its doors to all people from any part of the globe who wished to learn, this small college soon became a bustling establishment that would become one of the most famous colleges in all of Europe. Blaise, a young woman by the same name, was one of its most distinguished professors and students. Through a series of interesting events, the charming lady began to translate Hrubens’s long treatise in natural theology. This work was originally published under the prose. As the lady's work moved ahead, it became clear that this treatise, though theological in nature, had another, more secular purpose.

Blaise Pascal's early works show hints of his future writings. One such work was A Treatise on Natural Theology. It was translated into English in eighteen propositions by Josiah Spode. Though this was not an outright translation, since the author had obviously never personally seen the original work, it is clear that he used the work as a model for the later pieces that would follow. The first of these papers was a long, in French, paper titled An Essay on the Origin of Man. Although the writer has taken the liberty to combine languages in this essay it is English and bears the stamp Blaise Pascal as its author.

Although it is difficult for us to pinpoint exactly where this translation occurred there are clues which can help us to locate the matter. Blaise Pascal's essay, which bears his name, is found in an 1832 Edinburgh volume entitled "My Essay on Criticism and Essay on Man." And a volume published in London in 1833 under the same name contains a very lengthy treatise on Natural Theology, a lengthy treatise on Philosophy, a short essay on Criticism, and an Introduction to the Works of Isaac Newton. Blaise Newton and Isaac Newton are often given credit for translating his magnum opus in English, but his original German edition was believed to have been in manuscript form long before his death. These notebooks, which were used to create these masterpieces, are now available for the public to read and allow us to appreciate their influence on the world.

In the next part of this article we will look at some of Et Quarante's other translated works and examine how these translations affect our understanding of God. Remember that Et Quarante's works are not meant to be translated into a polished or academic style. When this is done, one might wonder whether there is a deeper meaning underlying the text than what has been let alone expressed.
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