Some Ideas on Country Road guitar pro tab by Pat Martino @ musicnoteslib You Need To Know

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9 Simple Techniques For Guitar Anthology By Pat Martino - Sheet Music Plus


<h1 style="clear:both" id="content-section-0">Some Ideas on Country Road guitar pro tab by Pat Martino @ musicnoteslib You Need To Know<br></h1>
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<p class="p__0">From there, you'll see a Bb passing tone in the second beat of the Am7 bar, which is inserted into the Dorian mode utilized to detail that chord in the line. You'll likewise see the G melodic small scale used to detail the Gm7 chord, with the F# note highlighting that scale option.</p>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://i.pinimg.com/originals/a1/fa/2f/a1fa2fc8dc65bb8f59a8ff2bd6382804.png" alt="10 Pat Martino Jazz Guitar Licks - Sunny, Dominant &amp; Minor Licks"><span style="display:none" itemprop="caption">We'll Be Together Again (Pat Martino album) - Wikipedia</span>
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<p class="p__1">This pattern is not only discovered in Martino's playing however is also a favorite of John Coltrane, heard most notoriously in his solo on allure traditional Giant Actions. Bright Lick 2 [starts at 2:56 in the video] Apart from the bebop influence at the end of this Pat Martino lick, you'll see a repeated melodic expression duplicated throughout the very first 5 and a half bars of the line.</p>
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<p class="p__2">Practice taking this melodic pattern, heard in the 2nd half of the Am7 bar at the start of the line, and repeat it when soloing in your practice regimen. From there, create your own melodic expression to repeat in your solos. The key is to utilize the duplicated phrase to construct energy, but understand when to carry on in your lines so that the lick does not become exaggerated.</p>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://s3.amazonaws.com/halleonard-pagepreviews/HL_DDS_1131672doXKbuMHg0.png" alt="pat martino guitar lesson - Jens Larsen"><span style="display:none" itemprop="caption">Pat Martino: The Early Years: Guitar Solos Book: Pat Martino</span>
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<h1 style="clear:both" id="content-section-1">The Ultimate Guide To Pat Martino Chords &amp; Tabs - Ultimate Guitar<br><img width="310" src="https://i.ytimg.com/vi/33d6qoxHJo4/maxresdefault.jpg"><br></h1>
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<p class="p__3">Sunny Lick 3 [starts at 4:23 in the video] Apart from studying single-notes when digging into Martino's soloing ideas, you'll likewise wish to dig into his usage of double-stops and chords in his soloing phrases. You can see 2 and three-note shapes being utilized in this line to develop energy throughout the phrase.</p>
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<img class="featurable" style="max-height:300px;max-width:400px;" itemprop="image" src="https://demo.fdocuments.in/img/378x509/reader025/reader/2021042904/577cc7df1a28aba711a1dad8/r-1.jpg" alt="Pat Martino Video Lessons! The Nature of Guitar (1 of 3) - Jazz Guitar Today"><span style="display:none" itemprop="caption">Sapphire Ng - CONTORTION GUITAR: "Sunny" Pat Martino - Solo Transcription [Guitar TAB]</span>
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<p class="p__4">When dealing with double stops by yourself, you can take them from arpeggios, small pentatonic scales, or modes in your solos. Bright Lick 4 [starts at 4:51 in the video] Here's another repeated Pat Martino lick, though this time the line is not based on arpeggios or pentatonic scales, as you saw in the first 2 repetitive lines in this lesson.</p>
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<p class="p__5">Bright Lick 5 [starts at 5:21 in the video] In this lick, you'll deal with a mix of arpeggios and scale notes as you lay out the changes over the tune Sunny. Chord Melody Guitar Music 'll notice diatonic arpeggios being utilized in the following ways: F# m7b5 over Am7Gm7 over Gm7Edim Triad over c7Fmaj7 over Fmaj7As you can see, there are some arpeggios that detail the direct chord that Pat's soloing over, while others are subs that originate from the associated crucial center.</p>
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