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The Jazz Guitar Artistry Of Barney Kessel V 1 - Scarlett Music Diaries


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<p class="p__0">Although numerous guitar players were extremely affected by Charlie Christian in the 1940s and 1950s, Barney Kessel was the really first to develop his own identifiable voice out of the Charlie Christian style. Like Christian, Kessel was from Oklahoma. Aside from three months of guitar lessons, Kessel was self-taught on guitar.</p>
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<p class="p__1">After transferring to Los Angeles in 1942, he worked with the Chico Marx Big Band (1942-43), which was a group assembled by Ben Pollack. Discovered by Norman Granz, Kessel was included in the Lester Young brief length movie "Jammin' The Blues" in 1944. He worked with the orchestras of Charlie Barnet (1944-45) and Artie Shaw, also having a good time carrying out with Shaw's Gramercy Five.</p>
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<p class="p__2">He made recordings with Charlie Parker in 1947, toured with Jazz at The Philharmonic, and throughout 1952-53 was a member of the Oscar Peterson Trio. While he left Peterson after a year to stick nearby the studios, Kessel taped his most significant recordings in the 1950s making a string of incredibly satisfying record albums for Contemporary Records.</p>
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<p class="p__3">An additional series of recordings teamed him with Ray Brown and Shelly Manne as The Poll Winners, considering that they regularly won the "Downbeat" and "Metronome" surveys of that time period. Kessel also made recordings with Art Tatum and Sonny Rollins. Barney Kessel continued to be popular on the scene throughout the next number of years.</p>
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<p class="p__4">He went on tour with George Wein's Newport All-Stars in 1968 and teamed up with Stephane Grappelli on numerous performances throughout 1969-70. While his later recordings as a leader usually lack the excitement and enthusiasm of his earlier dates, Barney Kessel still sounded at his intense finest when playing guitar with Herb Ellis and Charlie Byrd as The Terrific Guitars throughout 1974-82.</p>
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<p class="p__5">As one of the crucial transitional jazz guitar players in the period, his method naturally embodied the lexicons of the swing and bebop periods. Chord Melody Guitar Music exerted a significant impact on his playing. To a lower degree, Barney was influenced by the post-bop modal and difficult bop movements and modern complimentary jazz.</p>
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<p class="p__6">His chord playing exhibited the harmonic elegance, varying structures, and composing acumen of a pianist and orchestra leader. Barney loved the modern polytonal alternatives and chord extensions preferred by jazz keyboardists and often worked these into his re-harmonizations of standard tunes like "Tenderly", "Misty," and "Spring Is Here.".</p>
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